Fantasia Fest 2021: 14 Films We're Looking Forward to Seeing
Today kicks off the beginning of Fantasia Fest 2021, the Montreal-based, multi-week showcase with the reputation for being "the most outstanding and largest genre film festival in North America." The Canadian festival has been on our radar for years and we're excited to bring you along as we (virtually) embark on our inaugural Fantasia journey.
Mad God
The Deep House
King Knight
Midnight
Pompo: The Cinéphile
Dreams on Fire
The Last Thing Mary Saw
Love, Life and Goldfish
Giving Birth to a Butterfly
Dr. Caligari
Prisoners of the Ghostland
Follow the Light
Strawberry Mansion
Ultrasound
'Whirlybird' Review: Capturing Serenity and Chaos Over the Clouds
In Matt Yoka’s debut feature documentary, Whirlybird, audiences are taken on a visual journey of the City of Angels in the 90s through the lens of journalist Bob Tur and his wife Marika Gerrard, the couple responsible for capturing the iconic ariel video footage of the OJ Simpson pursuit, the Rodney King riots, the Northridge earthquake, and so much more. Infamous for his risky (and often illegal) methods of “getting the shot,” Bob was a relentless reporter, in love with the excitement and thrill of the chase. However, the documentary digs deeper, beyond his success as a journalist, and into Bob’s volatile, explosive, and obsessive behavior that puts not only his relationships but his physical and mental health at risk.
In the world of journalism, Bob Tur is credited for revolutionizing breaking news by changing the way news was captured: via helicopter. Bob and Marika were never far from a crime scene, murder, fire or flood – hanging out of a helicopter, camera in hand and ready to film. However, Bob’s personal life was fraught with torment. Not only was he constantly fighting with his wife, his employees, and the authorities, he was also struggling to accept himself as a trans man, which the documentary only focuses on in the last fifteen or so minutes of the film. The story of Whirlybird is primarily about the revolution of the news industry, not the reinvention of Bob Tur, who now goes by Zoey. Unfortunately, more focus on his personal struggle would have made this film a lot stronger and more memorable.
Bob was the original TMZ. He was a pioneer, and his legacy will never be forgotten. However, through raw and vulnerable interviews, he admits to living a life full of regret. It’s as if he questions if this was all even worth it, a difficult sentiment to hear someone say aloud. The relentlessness of capturing the headline news will affect any man over time, much like it did Bob Tur. For Angelinos especially, Whirlybird – with original music by Ty Segall – is a fascinating retrospective of our city from above as we navigate the fine line between serenity and chaos from among the clouds.
The review originally ran on February 3, 2020 during the Sundance Film Festival
Distributed by Greenwich Entertainment. Playing in select theaters, including Laemmle Glendale, and VOD this Friday.
'Enemies of the State' Review: A Teen Anarchist Takes on America
Matt DeHart may not have the same name recognition as Julian Assange or Chelsea Manning, but his self-proclaimed capability to expose the U.S. government for what they truly are: emotionless, ruthless, international murderers is just as feared as the actions of the aforementioned WikiLeaks founder and US Army vet turned whistleblower. In the new documentary Enemies of the State, viewers are introduced to the DeHart family, a nerdy and frantic family of three, who find themselves at the center of espionage accusations when Matt's ties to Anonymous and the dark web are exposed.
Convinced of Matt's innocence, the DeHart's believe that they're being unfairly targeted by the government in a wild conspiracy theory, which sends them to seek asylum in Canada. Perhaps they're on to something, but their claims weaken when evidence of child pornography on Matt's computer (plus victim statements) directly point to him. But Mr. DeHart, a current pastor, and Mrs. DeHart are in denial; instead of confronting the possibility that their son might be guilty, they come up with varied excuses. Many times throughout the film we are left wondering, are they really that oblivious, blinded by a parent's love? Or is the truth really stranger than fiction?
Nominated for "Best Documentary Feature" at the 2020 Tribeca Film Festival, Enemies of the State was brought to the screen by some heavy-hitters. Directed by Sonia Kennebeck and executive produced by Errol Morris, the film is a hybrid blend of documentary and fiction storytelling from the perspective of unreliable, biased narrators, which makes for an anxious watch. While Matt's parents are in the film playing themselves, Matt is played by actor Joel Widman (the reason for Matt's absence is explained in the film). Interviews with government officials, lawyers, and reporters are all real, including the sound recordings from Matt's court trial, but set to a fabricated recreation of those court scenes.
The aesthetic of Enemies of the State feels as sterile as the maximum-security prison cell Matt was kept in, stripped bare and unforgiving. It's a twisty story that I found myself rewinding a couple of times throughout my watch both out of fascination and confusion, the delivery here not being as strong or punchy as its cinematic counterparts like The Imposter or The Thin Blue Line. However, Enemies of the State is thrilling enough to satisfy that true crime craving.
Distributed by IFC Films. Opening in select Laemmle Theaters and on VOD on Friday, July 30.
'Mandibles' Review: A Buzzy Buddy Comedy
Surreal, campy B movies have always been synonymous with French provocateur Quentin Dupieux. His weirdness is an art form in and of itself; killer car tires and self-sabatoging directors seem like outrageously insane plots that no producer or studio would ever think to finance but on the screen it somehow works. Same is true in his latest film Mandibles, a buzzy buddy comedy about a giant fly. That's it. That's the plot.
Low-achieving but well-meaning best friends Jean-Gab (David Marsais) and Manu (Grégoire Ludig) are the French equivalent of Dumb and Dumber's Harry and Lloyd. They manage to get themselves into truly remarkable and idiotic situations, but their oblivious and laissez faire attitude never gives them cause for concern. That is, until they stumble across something that they believe has the potential to change their lives forever: a giant fly.
Jean-Gab takes to the fly immediately, giving her the name Dominique and imaging a future where he can train her well enough to start making money off of her party tricks (or bank robberies, the latter seeming more unlikely but he isn't deterred). Manu on the other hand hesitantly goes along with Jean-Gab's plan until an unforeseen situation forces the duo to adapt.
When the guys get caught up in a case of mistaken identity and find themselves staying at a vacation home with a group of strangers, Jean-Gab's protective paternal instincts kick in. He doesn't want anyone to know about Dominique, especially the inquisitive and slightly "off" houseguest Agnès (Adèle Exarchopoulos), but Agnès knows something is up, and she's determined to figure out what it is.
Mandibles is low-hanging fruit for comedy fans; the film's light-hearted nature doesn't strive to be anything other than zany and oddball kooky but at times, this chaotic jumble also rubbed me the wrong way. Personally, I find it grating when characters constantly yell and one of Agnès' character traits is her inability to control her speaking level, so those moments were a bit hard to sit though.
Going into any Quentin Dupieux film, you're probably not expecting thought-provoking, Oscar-qualifying work. That's the joy in his movies, they're original, completely fun, and entirely wacky. Mandibles is truly something you have to see to believe.
Distributed by Magnet Releasing. In theaters Friday, July 23.
'Roadrunner: A Film About Anthony Bourdain' Review: To Savor An Icon
It still feels surreal to talk about Anthony Bourdain in the past tense. Anthony Bourdain was charismatic. He was revolutionary. And he definitely was gone too soon. When Bourdain passed away three years ago at the age of 61, the conversation around mental health struggles wasn't nearly as normalized as it is today. It was still prevalent, just conversationally taboo. But as director Morgan Neville explores in the documentary Roadrunner: A Film About Anthony Bourdain, the larger than life TV personality wasn't necessarily keeping quiet about the horrible disease that was depression and suicidal thoughts: he was crying out for help on camera. We just weren't watching closely enough.
Morgan Neville (20 Feet From Stardom, Won't You Be My Neighbor?) harmoniously captures the pleasures and pains of Bourdain colorful life, and is careful not to ruminate too long on his demons. Told through Bourdain's own voiceover narration (a very meta move), Roadrunner is an engrossing look at how he went from "dishwasher, to cook, to chef, to fuck-up" (his words). After the overnight success of his book Kitchen Confidential entered the cultural zeitgeist, Bourdain took his talents to TV. It's here where he became a household name, traveling the world in search of great food and bridging the gap between countries in his hit shows No Reservations and Parts Unknown.
In poignant narration, Bourdain admits that he had the greatest job in the world, but it was one he could never escape from. This affected his mental health, family life, and relationships with colleagues and friends. For as widely loved as he was, Bourdain was lonely. Despite his success and acclaim, he openly admits that he questioned everything constantly and had often thought about harming himself.
His addictive personality eventually moved from his work life to his love life in the form of an Italian actress and early Harvey Weinstein #MeToo accuser Asia Argento, and this is when those closest to the TV personality noticed a shift in his demeanor. Interviews with the production crew, his ex-wife, and friends say Bourdain's complete obsession with her contributed to his downfall, although we should be careful not to blame Argento herself for his death. After all, he was the one who made the devastating decision to end his own life, no matter how heartbroken she made him feel.
Morgan Neville is the perfect person to capture this complicated figure, flaws and all. Anthony Bourdain lived with an irreplaceable spark and charisma that made him feel like a close, personal friend and that's what makes this documentary so hard-hitting and culturally important. In one of the film's earlier scenes, Bourdain talks openly about dying. In his signature style of cheeky humor, he tells a colleague that thinking about his death is "therapeutic." Retroactively, though, it's clear that he was only half-joking. Roadrunner offers a glimpse into the inner thoughts of Bourdain himself and while it has a somber through line, there is optimism and peace sprinkled throughout.
And man, does it feel good to see him on the TV screen again.
Distributed by Focus Features. Opening this Friday at The Landmark in West LA, Laemmle Monica, Laemmle Pasadena Playhouse 7, Laemmle NoHo 7, AMC Century City, AMC Sunset 5, AMC Universal Citywalk, AMC Burbank 16, Alamo Drafthouse Downtown, and Regal LA Live, among others.
'Summertime' Review: Visual Poetry Lights up Los Angeles
When Amanda Gorman took the stage in January at the 2021 Presidential Inauguration, two things happened. One, she sparked a meteoric rise of her own accord, landing nationwide notoriety, book deals, and an IMG modeling contract. She also–maybe more importantly–normalized and encouraged younger generations to explore spoken word poetry for themselves, proving that age is not a factor when it comes to self-expression.
In his latest film, director Carlos López Estrada (Blindspotting, Raya and the Last Dragon) shows how the streets of Los Angeles are filled with inspirational youth who are ready to speak their truth in the spoken-word musical, Summertime. Like an indie version of In the Heights for millennials (complete with mixed races and various skin tones!), Summertime is a feel-good film full of literal visual poetry and promising artists of tomorrow.
The story of how Summertime came to be is just as impressive as the film itself. Together with López Estrada and Executive Producer Kelly Marie Tran, twenty seven youth poets workshopped their material over the course of one Summer in Los Angeles. The result is this feature film, a loose narrative structure comprised of intersecting stories from the poets themselves, all of whom make their feature film debut as co-writers and stars.
Depending on the scene (and therefore the dialogue), Summertime is a mix of emotional, comedic, and nostalgic instances that reflect the authenticity of the poets. One scene humorously calls out the prices at trendy Los Angeles eateries, and how a piece of avocado toast costs the same as basic livelihood necessities for lower income communities. Another scene shows an empowered queer woman giving a fierce monologue as she stands up for another same sex couple on a metro bus. Perhaps the most heart-wrenching scene comes in the form of a formally insecure woman finally standing up for herself to a manipulative ex-boyfriend.
I believe the success of Summertime comes from untraditional factors. The overall narrative and acting is fairly good, not outstanding, but what makes this film unforgettable is the outpouring of pure visual poetry (which outweighs any nitpicky criticism). Dave Harris, Mila Cuda, Olympia Miccio, Tyris Winter, Amaya Blankenship, Bene't Benton, Hanna Harris, Marco Bizio, Raul Herrera, Bryce Banks, Marquesha Babers, Walter Finnie Jr., Anna Osuna, Zach Perlmutter, Jason Alvarez, Austin Antoine, Maia Mayor, Madyson Park, Xochitl Morales, Paolina Acuña-González, Marcus James, Gordon IP, Cyrus Roberts, Pathum Madigapola, Nia Lewis, Daniel McKinley, Khamal Iwuanyanwu, and Lukas Lane: job well done. Thank you for sharing your stories with us.
Distributed by Good Deed Entertainment. Now playing in select theaters in Los Angeles and New York. Expanding nationwide Friday, July 16.
Max Aruj Shares His New Track From Gangster Film ‘Lansky’
Max Aruj reunites with writer-director Eytan Rockaway in Lansky, a crime drama starring Sam Worthington and Harvey Keitel as the legendary gangster Meyer Lansky.
After collaborating with Rockaway on the psychological thriller The Abandoned (2015), Aruj felt comfortable delving even deeper creatively with Lansky's score. The result is a beautifully intertwined sonic reflection of both the darkness and sentimentality of the complicated Meyer Lansky. But before we listen to the exclusive track, continue reading to learn more about the man behind the music.
Max Aruj was born to score. After taking to classical music at 6 years old, he went on to receive a Bachelor's in Music Composition at the USC Thornton School of Music. Since then, his contribution to the world of composition with a classical flare has brought him to both the indie music stage and the Hollywood silver screen. Aruj composed and conducted arrangements for DJ and producer Gryffin at Coachella 2019 (and co-produced his orchestral album 'Gravity (Deluxe)' in 2020), as well as composing additional music on Mission: Impossible - Fallout for Lorne Balfe and The Crown for Hans Zimmer and Rupert Gregson-Williams.
Cinemacy is thrilled to premiere the opening title track from Aruj's latest film, Lansky. Listen below.
"Working on Lansky really pushed me to dig deep to come up with a melody that encapsulates his whole life. He experienced both great triumph, and great sadness. He stopped at nothing to achieve his goals, but at great costs,” says Max Aruj.
The title track, which runs about five minutes long, starts slow with a quietly beautiful blend of strings and builds to an all-encompassing anthem that is both full and bold.
The soundtrack will be released on June 25 on Lakeshore Records — the same day of the U.S. theatrical release. You can now pre-save the album here.
'Rise Again: Tulsa and the Red Summer' Review: Bodies And Stories Were Buried–Until Now
Throughout history, the United States has been the home of dozens of racially-fueled massacres that were never brought to light. One of the most egregious atrocities is the 1921 Tulsa, Oklahoma race massacre which saw an entire community burned down by white mobs. Over 300 black men, women, and children were killed and dumped in unmarked mass graves, their possessions stolen, and dignity affected for generations. In the documentary Rise Again: Tulsa and the Red Summer, documentarian Dawn Porter sheds light on this horrific tragedy and challenges our idea of what justice looks like today. Make America great again? For a large majority of minorities, America was never great to them before.
Expression
Dawn Porter is one of the most important working filmmakers today. She has her finger on the pulse of culturally significant stories about strong figures who stand up for what they believe in, even if it's against the status quo. Rise Again's message compliments Porter's previous work, including The Way I See It and John Lewis: Good Trouble. She is a natural storyteller who elicits empathy but never weakness from her subjects. Her delicate approach to such a heavy topic is a natural skill. Despite the death and destruction that permeates the narrative, Rise Again leaves us with an activated sense of introspection about how we can create a more just tomorrow.
Expression: 4 out of 5 stars
Daring
For many people who lived through the 90s, the term "race riot" might bring to mind the horrific images of the Rodney King riots in Los Angeles. However, race riots have been around for decades, as documented in Rise Again's stark black and white photographs. The film centers around award-winning Washington Post journalist and Oklahoma native DeNeen Brown who, along with descendants of the Tulsa Massacre victims and current Tulsa state officials, speak to the reality of what happened 100 years ago and how it is still affecting the black population today. It's uncomfortable to see just how dehumanizing the black community was made to feel at the hands of white people, but Dawn Porter educates viewers in a way that doesn't feel shameful or spiteful, just hopeful for a better future for all.
Daring: 4 out of 5 stars
Craft
Like all of Porter's film, Rise Again is a finely-tuned cinematic achievement. The combination of compelling sit-down interviews interspersed with archival footage and photographs from 100 years ago humanizes the victims in a way that will leave anyone breathless. Every interviewee is given ample time to make sure their personal stories are heard and the result is a deeply felt tapestry of resilience and strength. Dawn Porter and crew really nailed this one.
Craft: 4 out of 5 stars
Impact
The term "Red Summer" was coined because the blood from black bodies flowed through the streets nonstop. Innocent black communities and individuals were targeted by white men who unjustly feared their jobs or lives were in danger, and were killed by the hundreds. Yet, these events have been historically left out of American history books because of shame and guilt. Pretending that these massacres never happened is equally offensive as the acts themselves, and that is why Rise Again: Tulsa and the Red Summer is so important to American cultural awareness. This film is an important piece of history.
Impact: 5 out of 5 stars
Conclusion
The ghosts of racial tension that were present in 1921 still haunt us today, 100 years later. Educating people about the truth of these events – however horrific and upsetting – will hopefully lead our nation towards collective healing and conscious change. Ignoring the stains on our past is not progress, we must acknowledging our wrongdoings to make sure history doesn't repeat itself.
Conclusion: 4 out of 5 stars
'Rise Again: Tulsa and the Red Summer' will premiere on National Geographic on Friday, June 18, and will air globally in 172 countries and 43 languages. It will also be available to stream on Hulu the same day, commemorating Juneteenth – a day that celebrates when the last enslaved Black people in Texas received news of their emancipation, marking the official end to slavery in the United States.
'Stockholm Syndrome' Tribeca Review: A$AP Rocky Recounts His (Unfair) Arrest
In July of 2019, A$AP Rocky was arrested in Sweden and charged on suspicion of assault after a violent incident that was provoked by two young men went public. A video shared by TMZ went viral, and it didn't help that their clickbait headline wasn't an accurate depiction of what actually happened. In the new documentary Stockholm Syndrome, the Swedish authorities were going to make an example out of A$AP Rocky, and it didn't matter whether the punishment fit the "crime."
Directed by The Architects, Stockholm Syndrome shows how A$AP Rocky addresses that time in his life when money or fame couldn't get him out of legal problems, no matter how unfair and racially motivated they seemed to be.
The documentary goes in-depth into the early life of A$AP Rocky, born Rakim Mayers. Even as a child, his mother and his friends all considered him to be a pioneer and trendsetter whose natural born talent never went unnoticed.
Speaking directly to the camera, A$AP Rocky reflects back on his upbringing, growing up with a father in prison and without black peers in school. He found refuge in music and the authenticity in his words connected with so many, catapulting him into superstardom.
About half of Stockholm Syndrome covers the arrest and trial of A$AP Rocky, in real time. Playing out like a courtroom drama with the engaging Slobodan Jovicic as A$AP Rocky's defense attorney and former President Donald Trump's unrequested involvement, the energy and anticipation is thrilling to watch, even if we already know what happens. The film also gathers interviews from his friends and industry peers, including Kim Kardashian (ex-West).
A$AP Rocky has an "Everything happens for a reason," attitude about life. He is earnest when he admits that many rappers flaunt their struggles for clout, but that is something he will never do. His humble, down to Earth persona is refreshing and unexpected for such a big celebrity, and The Architects captured this perfectly. I didn't know much about his life before, but after Stockholm Syndrome, I feel like I know not just A$AP Rocky, but Rakim Mayers too.
And because I know you're all wondering, yes – Rihanna does make a cameo as well.
'Gully': An Aesthetically Rich Debut from Director Nabil
Nabil Elderkin – or just Nabil, as he is more widely known – is the man responsible for the aesthetically brilliant music videos for the likes of Kanye West, Bon Iver, and countless other cultural icons of the moment (many of which have gone on to become viral sensations). And as of last week, Nabil made his directorial debut with a world premiere screening of Gully at the Tribeca Film Festival. Nabil takes the same cinematically-styled approach as he does in his music videos to bring screenwriter Marcus J. Guillory's emotionally-drenched drama to life.
Gully is billed as a "slightly dystopian version of LA." While there is truth in that observation, the dystopia isn't a farfetched depiction of chaos – it's all rooted in reality, which makes for an even more affecting watch. Best friends Jesse (Kelvin Harrison Jr.), Calvin (Jacob Latimore), and Nicky (Charlie Plummer) live within blocks of each other on the streets of South Central LA and all come from troubled backgrounds. The effects of abuse, mental health issues, and an overall lack of supervision are contributing factors to the boys' tough outer shells and disregard for others around them. Out of boredom and abandonment, the boys cause fun-minded havoc around their impoverished community, despite the ominous warnings from the local homeless prophet, Mr. Christmas (Terrence Howard). They may have been forced to grow up prematurely, but these are still young boys in need of a childhood, trying to figure out who they are and where they're going amidst the chaos and unfair dealings that life has in store for them.
Read More: A Beginner's Guide To: Kelvin Harrison Jr.
Combining mixed animation, a pulsating soundtrack, and captivating performances from this trio of rising talent – Latimore, Plummer, and Harrison Jr. – Gully is a bold feature for everyone involved, both in front of and behind the lens. Amber Heard, John Corbett, Robin Givens, and Jonathan Majors lend emotional depth and stability to the film as supporting actors (with a special cameo by Travis Scott in an enjoyable surprise). Together, Nabil and Guillory have created a film as untethered as its leads, even forgoing a traditional three-act structure in favor of a looser and unpredictable vibe.
Gully is a reflection of a modern-day society devoid of the rose-tinted glasses often worn by the privileged. Our protagonists come from a marginalized group of underrepresented kids who have been and continue to be, in some cases, overlooked by the rest of society. This disregard for the troubled is a stain on the idealized image of any city striving for inclusion and prosperity for all. If the goal behind Gully is to evoke emotion, then Nabil and company should know that this film is a success.
This review originally ran on May 2, 2019 during the Tribeca Film Festival
Distributed by Vertical Entertainment, 'Gully' is now playing in select theaters with an On Demand and Digital release from Paramount Home Entertainment on June 8th.
'All Light, Everywhere' Review: The Corruption of the Camera
This review originally ran on Feb 1, 2021 during the Sundance Film Festival.
In his latest documentary, All Light, Everywhere, experimental filmmaker Theo Anthony (Rat Film) de-mystifies our good faith in modern technology as he puts an artfully-abstract lens on a hot button social issue that is currently plaguing our communities. In a somewhat meta sense, Anthony dissects the creation and purpose of the camera, coming face to face with its historical uses and, in his eyes, modern-day hidden abuses.
Comprised of a wide-ranging collection of stories that span from the advent of the camera, up to its present-day uses within police forces and private agencies, All Light, Everywhere aims to expose the inherent corruption of the camera by way of its subjective photographer. Anthony transports us all the way back to the 19th century at the advent of astronomical stargazing, up through 1918, observing the silent soldiers of WWI: the actual pigeons that were trained to photograph behind enemy lines during wartime.
While all fascinating history lessons, most of the film stays in the present to focus on Axon, a company with a near-monopoly on body cameras and tasers in the United States. As we tour the Axon facility, we're given a behind the scenes look at not only how police body cameras and tasers are made, but the ethical problems inherently attached, which have the potential to create life or death situations for those at the center of the lens.
For as much substance as All Light, Everywhere emits, it's also equally as stylish. The dark subject matter is easily digestible by Anthony, who breaks the 4th wall during filming to innocently poke fun at his main interview subject (Axon spokesman Steve Tuttle) and posing interesting rhetorical questions (brought to life by voiceover artist Keaver Brenai). "Every image has a frame, and every frame has a world that's excluded beyond its edges," is just one of the quotable one-liners here. My personal favorite was the follow-up statement: "When we understand something, we say 'I See,' even though we don't."
In All Light, Everywhere, not all technology is seen as evil; the fact that it can help us overcome the limitations of our human potential is a significant counter reason. Set against a dreamy, high-tech score from composer Dan Deacon, All Light, Everywhere is an eye-opening experience that leaves us questioning how we can trust the hands that this technology falls into.
Distributed by Super LTD, All Light, Everywhere is now playing in select NY and LA theaters.
'Breaking Boundaries' Review: David Attenborough Begs Us To Trust Science, Again
Sir David Attenborough is back with another troubling but ultimately inspiring documentary about the climate crisis and how we must, must, believe the science if we are to stop hurling towards total irreversible destruction. Not a light watch, but a necessary one. Directed by John Clay, Breaking Boundaries: The Science of Our Planet is another important addition to the Attenborough school of life.
Expression
Shrinking glaciers in Sweden, rainforest degradation in the Amazon, it feels like we're becoming all too familiar with the devastating effects of the ongoing climate crisis. Sir David Attenborough has continuously tried to nail it into our heads that if we don't act now, life on the planet as we know it will be irrevocably changed forever. His latest film is more of the same – hauntingly bleak statistics, facts, and figures that are sure to wake you up – but this go around feels like more of a stern lecture from a disappointed mentor than his previously more digestible, slightly optimistic films. It gets the point across, sure, but Breaking Boundaries left me feeling more hopeless than hopeful.
Expression: 2.5 out of 5 stars
Daring
There can never be too many climate crisis documentaries. Why? Because we haven't solved the problem yet. Until then, I expect to see more films focused on this universally important issue with each one getting more serious than the next. In Breaking Boundaries, most of the information is relayed to us by world-renowned scientist Professor Johan Rockström. Throughout its 75-minute runtime, the film takes us on a journey of discovery of the 9 planetary boundaries we must maintain to keep our planet thriving at optimum capacity and protect Earth’s life support system. It feels like more of a scare tactic approach than a whimsical visual journey but maybe cold, hard facts are what some people need to truly pay attention.
Daring: 3 out of 5 stars
Craft
If you're expecting another Attenborough film with animals galore, you may be disappointed with Breaking Boundaries. Instead of primates, director Jon Clay focuses more on the people who have studied and researched the Earth's ecosystem for years. Interviews with scientists and scholars are conducted in a stereotypical talking heads style, and almost half of the film feels comprised of computer-generated graphics and TED-talk charts. We do see evidence of global warming in nature; from melting ice caps in Greenland to burned carcasses of animals in Australia's forests, there are still plenty of shocking imagery to absorb here.
Daring: 3 out of 5 stars
Impact
Typically, Attenborough documentaries are so impactful because of the stunning visuals that act alongside the narration. However, Breaking Boundaries lacks the imagery we've come to expect from past films and almost makes it seem like this would have been a good podcast. The facts are terrifying: We've already lost about 20% of the Amazon, air pollution kills over 7 million people every year and takes 3 years off of every human's life expectancy, etc. Not the most reassuring statements. Attenborough doesn't leave us on a doom and gloom note and instead offers us some simple solutions that we can easily implement into our daily lives. A couple of takeaways to help reduce carbon emissions are to plant more trees and eat more plant-based foods, less red meat. These are cost-effective and achievable and can truly save the planet.
Impact: 3.5 out of 5 stars
Conclusion
"It's a remarkable time to be alive," he exclaims despite all the worrying news he just shared. If Sir David Attenborough – Earth's #1 loyalist – can still find reasons to be optimistic about our planet's future, then we should too. The facts may be scary, unsettling, and overwhelming but by taking small action steps, including educating yourself and others by watching nature documentaries on Netflix, we can begin to create global change.
Conclusion: 3 out of 5 stars
'Breaking Boundaries: The Science of Our Planet' is streaming on Netflix on Friday, June 4, 2021.
'North Hollywood' Review: A Coming of Age Film on Skate Life
Hollywood is the epicenter of pursuing dreams. People flock there from all over the world for the small chance to make it in the entertainment industry. Just beyond the hills of Mount Hollywood – away from the infamous walk of fame and the boulevard's bright lights – is North Hollywood, a place often left out of the conversation (since it is in the valley, after all). In his directorial debut, filmmaker and skater Mikey Alfred shows that North Hollywood is also a breeding ground for dreamers and doers.
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If you're familiar with the world of skateboarding, you've probably heard of Mikey Alfred. Mikey is the founder of skate crew & company Illegal Civ and served as co-producer on Jonah Hill's directorial debut Mid90s (A24). Sticking to what he knows best, Mikey's film tells the story of Michael (Ryder McLaughlin), a high school senior who wants to pursue his dream of becoming a professional skater instead of following the college status quo, much to the detest of his father (Vince Vaughn). His friends (Nico Hiraga and Na-Kel Smith) encourage his nonlinear path but when Michael gets caught up in a relationship with his longtime crush Rachel (Miranda Cosgrove), he starts to doubt what is the best move for him. The film feels like Mikey's own coming-of-age story, an extremely personal, slice of life film that will no doubt resonate with Gen Z audiences, and especially fans of Illegal Civ.
Expression: 4 out of 5 stars
Daring
Putting professional skaters in front of a camera and calling "action" is a risk in and of itself (I say that from experience). But Mikey's faith in his cast is strong and they deliver. Of course, they're not aiming for Oscar recognition but the entire cast, including Blake Anderson, Euphoria's Angus Cloud, and even Mid90s' Sunny Suljic, all bring an authentic and fun energy to their roles. It's also a blast to see Mikey incorporate a good amount of skate footage into the film like kickflips, ramps tricks, and plenty of fails. After all, he is working with an insanely talented and stellar crew.
Daring: 3 out of 5 stars
Craft
North Hollywood is backed by some pretty legit producers and exec producers, including Pharrell Williams, Noah Centineo, and Mimi Valdés to name a few. Their experience enhances Mikey's signature blend of classic Hollywood cinema and youth culture. It's a fairly traditional comedy/drama but considering the fact that 26-year-old Mikey wrote and directed the film, it's a huge achievement.
Daring: 3 out of 5 stars
Impact
Has a movie like this been made hundreds of times over? Sure. But what's unique about North Hollywood is the genuine authenticity that illuminates from the screen. These aren't your typical "too cool for school" skater boys, Michael is an insecure nerdy type who suffers from hormonal acne and still gets grounded by his dad. The characters here are aspirational skate rats, and that's a term I never thought I'd say.
Impact: 3 out of 5 stars
Conclusion
If you're looking for a less "ultra-hipster" version of Mid90s, I recommend taking a peek at North Hollywood. At its core, the film is a universal message of fighting for a dream; whether that dream is running a board room or pushing a skateboard, aiming for a future that we want is something we should all aspire towards.
Conclusion: 3 out of 5 stars
Distributed by Brainstorm Media, 'North Hollywood' is currently streaming on VOD.
'The Me You Can't See' Review: Prince Harry and Oprah Talk Mental Health Struggles
Co-produced by Oprah and Prince Harry, The Me You Can't See is a documentary series comprised of hour-long episodes that go into intimate detail about their struggles with mental health and just how universal these feelings of helplessness and sadness are. This series is important, personal, and now available to stream on Apple TV+.
Expression
This is by far one of the most heartfelt and vulnerable series that is currently streaming on platforms today. I couldn't get through the first episode without feeling my throat start to tighten up and my eyes start to water from the pure courage it took to lay their emotions bare (and inviting criticism in the process). Seeing how some of the most powerful people in entertainment put on brave faces and pretend like everything's ok, when in reality they're struggling to make it through the day, is heartbreaking. The series also shares the personal journeys of other public figures, including Lady Gaga, with more to be included throughout the various episodes.
Expression: 5 out of 5 stars
Daring
This series is one that needed to be made; it's only a shame that it took until now to do so. The topic of mental health has taken on more importance over the last year when isolation and loneliness was universally felt at an all-time high. Throughout their candid sit down conversation, Prince Harry and Oprah explain how 2020 put a mirror in front of the grief that was already present in so many people, and their goal for the series is to shine a light on the "invisible injury" that is mental health.
Daring: 4 out of 5 stars
Craft
Technically speaking, The Me You Can't See is a very traditional docu-series and visually, it can almost be confused for a 20/20 special. It relies heavily on the "talking heads" style of interview but when the talking heads are Prince Harry and Oprah Winfrey, we don't mind so much. The first episode is broken up into five chapters that highlight different people dealing with their own mental health struggles, none of which are alike. It's a safe narrative structure, the driving force here isn't the cinematic achievements but they stories they propel.
Craft: 2 out of 5 stars
Impact
Everyone who connects to this series in one way or another should feel comforted by the fact that we are all kindred spirits with struggles and insecurities of our own. Acting as a starting point towards collective healing and understanding, The Me You Can't See proves that everyone is carrying some sort of emotional baggage that goes undetected. We shouldn't go through life alone and with The Me You Can't See, now we don't have to.
Impact: 3 out of 5 stars
Conclusion
Whether or not you thought Oprah's March tell-all interview with the Duke and Duchess of Sussex was eye-opening (or eye-rolling), there is more to be discovered in their latest TV collaboration that aims to show the softer, more vulnerable side of these media moguls. It's a series that should be embraced with an open mind and free of preconceived judgements.
Conclusion: 3.5 out of 5 stars
The Me You Can't See is now streaming on Apple TV+.
Listen To Benjamin Woodgates's Track From 'Dream Horse'
Benjamin Woodgates may be young but his resume reads like that of a seasoned pro. In addition to making his debut feature film score in the Toni Collette-starring drama Dream Horse, Benjamin has also orchestrated music for a wide range of films and TV programs including Mission: Impossible - Fallout, Spider-Man: Into the Spider-Verse.
He's even adapted Jonny Greenwood’s Phantom Thread score for the film’s UK premiere with the London Contemporary Orchestra, as well as created arrangements for the wedding of Prince Harry and Meghan Markle, just to name a few of his many accomplishments.
In this exclusive track premiere that we are excited to share, Benjamin Woodgates proves once again that he's professionally wise beyond his years as he elegantly captures the sounds of optimism in director Euros Lyn's Dream Horse (in theaters this Friday).
Dream Horse tells the true story of Dream Alliance, an unlikely racehorse bred by small-town Welsh bartender Jan Vokes (Toni Collette), who dreams of entering into prestigious competitions. With the support of her community and determination to achieve a goal, Jan's inspirational journey takes her and Dream to the Welsh Grand National, proving that anything is possible with hard work and a little luck.
To capture the Jan's evolving unity with the beloved race horse, Benjamin got creative: he assembled a mix of instruments including an old upright piano, a harmonium, a fiddle, and an accordion which, when initially played together, resulted in wheezy, clunky, and jagged-edged melodies. However, as the characters' bond grows closer together, so does the sound of the ensemble of instruments. In "Let Him Run," whimsically frenetic orchestral strings transport us into the film's center of gravity where emotional tension is high and the impossible seems to actually be within reach.
On working with director Euros Lyn, Benjamin says, "[He] and I worked closely together to create the musical blueprint for this score, meeting regularly in the cutting room in Cardiff and picking up the phone to bounce ideas back and forth. Euros is an accomplished musician himself but made a point of communicating through dramatic and emotional ideas rather than using musical terminology so that we could build a musical language from the ground up.”
Bleecker Street Media is releasing 'Dream Horse' in the U.S. on Friday, May 21 and in the U.K. Friday, June 4, and Decca Records is releasing the OST on Friday, May 21, 2021.