Morgan Rojas

'After the Devil is Dead' Review: A Heartbroken Son Searches for the Truth

A son sets out to solve his mother's decades-old murder in the gripping true crime documentary, After the Devil is Dead. Only five years old at the time of his mother's death, Mike Lester leaves no stone unturned as he retraces the past with the insight and fortitude of a grown man. Mike's vulnerability allows filmmaker Paul Catalanotto to diligently shine light on this tragic tale, uncovering chilling answers to once-silenced questions.

A Heartbroken Son Searches for the Truth

The death of Edna Ann Muscarello Lester was always suspicious. In 1982, she was pulled from a house fire in New Orleans' Lower 9th Ward. Naturally, her cause of death was assumed to be fire-related. Upon closer examination, however, it was discovered that Edna also had stab wounds all over her body. This led investigators to the conclusion that the fire wasn't the cause of death, but rather the secondary incident intended to cover up her murder. Edna's son and the film's protagonist, Mike, was just a child at the time, but the memory of that moment still haunts him.

Using film as a format for processing these complex feelings, Mike embarks on a life-changing emotional journey in his quest for closure. Throughout the documentary, he confronts not only the trauma of his mother's mysterious death but also the abuse he suffered at the hands of his now estranged father, Russell Lester Sr. At first, Russell is the prime suspect in Edna's death, as Mike cites the rocky relationship between his parents. Unfortunately, Russell's profession as a police officer also complicates the likelihood of a conviction. Plus, his father proves to have an alibi during the time of Edna's death. However, Mike can't stop thinking that just because Russell didn't technically commit the crime, it doesn't mean he didn't orchestrate the murder behind the scenes. This train of thought consumes Mike. Eventually, through intimate conversations with family members and close friends, Mike's search for truth culminates in a bittersweet ending.

Indie Film Meets Investigative Journalism

Using archival documents, photos, and letters written by Edna herself, Mike does his best to piece together this long-standing cold case. Director Paul Catalanotto takes a very observational approach in capturing this story, letting the material speak for itself. The film runs long at 105 minutes, but every moment is full of new facts, Lester family lore, or never-before-spoken confessions. While it's all intriguing, the first half of the film primarily focuses on Mike's abusive childhood at the hands of his father. The film doesn't delve into the true crime component of Edna's murder until about 40 minutes in.

Director's Statement

"Mike and I first met in high school, though for years our only connection was the occasional message on Facebook. Knowing I worked in film, he reached out when A&E and CBS News 48 Hours showed interest in telling his story. At the time, he was unsure if he wanted to revisit such a painful chapter, and I encouraged him to consider it carefully. When those projects eventually fell through because his story did not fit neatly into the expected true crime mold, Mike came back to me. He wanted his story told not as a crime narrative, but as something deeper: a film about trauma, abuse, and ultimately, forgiveness.

I hesitated at first, fully aware of how emotionally difficult and time-consuming the project would be. In the end, I agreed. Over the course of making this film, Mike and I grew closer as friends, and I came to deeply respect the courage it takes to share such a story. I am grateful to have been part of it, and I hope the film not only honors Mike’s journey but also offers strength and solidarity to other survivors of abuse." - Paul Catalanotto, director

Takeaway

After the Devil is Dead is not only a compelling true crime documentary, but it also acts as a therapeutic experience for Mike. Solving the mystery of Edna's death, which was among the oldest unsolved murder cases in New Orleans, was the catalyst for Mike's search for the truth. Regardless of how this story ends, Mike's mission ultimately turns into making peace with the past. In that regard, it seems like he can consider his mission accomplished.

by Morgan Rojas

'Lost With You' Review: A Meet Cute in the Mountains

Two strangers find unexpected companionship and compassion in filmmaker Mike Southerly's romantic drama, Lost With You. The writer/director's meet-cute in the mountains is more than just a flirtatious development between two people. Southerly crafts a story that dares to delve into provocative topics, let alone engage in conversations that aren't typically discussed on a first date. An impressive debut feature film with a strong two-lead cast, Lost With You is an engaging, thought-provoking film that aims to expand one's mind as much as it entertains.

Between the Sunlight and a Stranger

Who are you when no one's watching?  This is the essay prompt that Naomi (Madison Shamoun) finds herself staring blankly at. The stakes are high, as this paper will determine her upcoming educational pathway. Unfortunately for Naomi, she doesn't know how to answer this personal question. She has faith that a solo hike in the hills of LA will allow her to clear her head and get introspective. But before she can make it to mile one, she runs into a fellow solo hiker, Ethan (Jake Short). His easy-going demeanor allows Naomi to let her guard down, and the two embark on what is to be a life-changing afternoon stroll.

Their conversation spans from politics to family and faith, as Naomi and Ethan passionately engage in debates that ultimately expand each other's world views. From fiery personal beliefs to lighthearted jabs, their banter is both witty and smartly informed. As the evening approaches, their time together is nearing a close. Whether or not Naomi and Ethan will see one another again is purposefully left ambiguous. However, their relationship–whether it be temporary or long-lasting–proves that one's whole perspective can change in a day.

Los Angeles Plays Itself

Los Angeles plays itself in this romantic drama, using the improvisational spirit of the city as the perfect backdrop. Shot predominantly outside on various hiking trails, the cinematography is fantastically executed. These visuals contribute to the film's overall cohesion and mastery of craft. The songs, which I can only assume are original works, fit each transition perfectly. They act as a natural segway for scene advancement and provide another form of catchy entertainment. The only micro hitch is in the screenplay when Naomi reacts in shock from Ethan's confession that he hasn't seen either There's Something About Mary or The Wedding Singer. This, on its own, isn't the issue; yet it's only a few scenes later that we learn Naomi has apparently never heard of Rebel Without a Cause, and thinks it's the name of a band. To be more familiar with Adam Sandler than Marlon Brando isn't illegal, although it should be.

Takeaway

At a time when people are quick to dismiss one another for differing views and beliefs, Lost With You shows the beauty in not rushing to judgment. It strikes the right balance of representation without coming across as preachy or favoring one side over the other. On paper, Naomi and Ethan are polar opposites. Despite society's odds stacked against them, they prove that empathy and compassion are qualities strong enough to sustain any relationship.

by Morgan Rojas

'The Travel Companion' Review: The Cost of Friendship 

Filmmaker Travis Wood uses his lived experience to bring a niche yet heartfelt story to life in the situational dramedy, The Travel Companion. A former “Travel Companion” himself, Travis and co-director/co-writer Alex Mallis blend the absurd with the awkward to craft a layered portrait of artistic ambition and outgrown friendships.

The Cost of Free Flights is Friendship

Simon (Tristan Turner) is a 30-something, still aspiring filmmaker who finds himself in a creative rut. He is years deep into a passion project–a wide-reaching documentary about humanity–which still lacks concrete direction, although he's confident that he'll find the story "in the edit". Simon feels his artistic merits slipping away, and is desperate to keep his creative spark alive. He finds emotional solace and a logistical safety net in his best friend and roommate, Bruce (Anthony Oberbeck). Not only is Bruce always ready to lend an empathetic ear, but he is also Simon’s gateway to otherwise out-of-reach production perks. Bruce works for an airline and gets a free “Travel Companion” pass, which Simon has frequently used to fulfill his international filmmaking needs.

However, once Bruce meets and falls in love with Beatrice (Naomi Asa), a fellow filmmaker, Simon feels the threat of her presence. He isn’t as fearful of losing his close relationship with Bruce as he is of losing out on Bruce’s travel perks. And although Simon knows he can’t stay Bruce’s “+1” forever, what ensues is an uncomfortable confrontation, stemming from jealousy, one-sided competitiveness, and the inherent fragility of their friendship.

Reaching a Breaking Point

With high-value production visuals, including exterior shots on the steps of Brooklyn brownstones and multiple airport interiors, The Travel Companion is an impressive indie feature. Leading the film is Tristan Turner, who nails Simon’s subtle personality shift from bright-eyed optimist to jealous overthinker. His insecurities grow increasingly frustrating as the film progresses, which is intentional character development. From a narrative standpoint, it is a bit curious why the conflict between Simon and Bruce isn't fully addressed until 60 minutes into a 90-minute film. Personally, I would have loved to see more time on the backend to work through Simon's complicated feelings of betrayal, as opposed to spending more time building up the tension before the breaking point.

Directors Statement

"They say over 50% of marriages end in divorce, and this statistic also holds true in co-directing. Lucky for us, our relationship has stood the test of multiple projects. After a series of shorts, it was a natural progression to co-direct a feature. The trust we’ve built together allowed us to share the burden of creative direction in really healthy ways. To have a partner, throughout the process, with whom to bounce ideas, find solutions, and tell jokes was a kind of ballast—keeping us steady when the process got chaotic or uncertain. We could take turns carrying the weight, and that made all the difference. The result is a film that reflects not just our shared sensibility, but the kind of creative resilience borne from deep collaboration.

This film has been a series of small miracles amounting to something we are incredibly proud of. Throughout writing and production, we had one rule, which was that above all, the process had to be fun. So many wonderful people worked very hard to bring this vision to life, and to them we are eternally grateful." – Alex Mallis & Travis Wood, directors

Takeaway

The Travel Companion embraces life's comedic and cringeworthy moments, making for a grounded, well-rounded watch. The film was also nominated for 'Best U.S. Narrative Feature' at the 2025 Tribeca Film Festival.

by Morgan Rojas

'On Guard' Review: A Fragile Ego Braces for Impact

The amount of pressure athletes put on themselves to perform at their optimal level is intense and incredibly personal. Those who struggle with self-esteem issues may find their insecurities exacerbated by any perceived shortcomings. It's hard not to take a loss personally when you have given it your all. In filmmaker Will Calkins' short film On Guard, the young protagonist fights to preserve her ego by inciting a rematch with her fiercest opponent.

Not So Friendly Competition

Jaime (Makenzie Pridgen) is a saber fencer who is having a hard time processing a recent loss. Her emotions run high as she takes her aggression out on a life-size mannequin, who absorbs her frustration and anger with every hit and cut of her fencing sword. She readies herself for a rematch with her biggest competition, Taylor (Sean Mikesh), whom she is preparing to meet for an after-hours duel. Once Taylor arrives, his demeanour makes it clear that he views this rematch as a bout of friendly competition. Jaime, however, doesn't plan on playing nice. For her, this high-intensity moment is her shot at redemption, and the stakes have never been higher.

The Adage "Write What You Know" Proves Successful

Writer/director Will Calkins captures the nuanced themes of competitiveness and dedication in this pressurized sports drama. A former saber fencer himself, he knows how to highlight the intricate details of the sport to bring this story to life. The shrill frequency of the buzzer, the dark and moody atmosphere of the gym, and the misplaced self-hatred when losing are all key elements. The fencing sequences are electrifying; authenticity radiates from both actors, who spent months choreographing and training for their roles. Keeping in line with other great sports films is the energetic score by composer Brandon Cericola. The abundance of strings and up-tempo cadence perfectly encapsulates this emotionally tense situation.

Director's Statement

"I was a saber fencer for almost ten years, and On Guard was my way to express how I felt about being an athlete. In fencing and all solo sports, everything rides on you. You don’t have any team that can support you or drag you down. And during these tournaments, dozens to 250 kids will show up, and every single one of them will go home a loser except for one. That can be a lot of weight to carry, especially for someone who isn’t naturally well-balanced mentally.

Jaime is a character that I relate a lot to, not because I would ever intentionally hurt someone over a game, but because I put a lot of pressure on myself over my performance in that sport, and I attached an unhealthy sense of self to it. I think a lot of athletes can relate to that chase, and what I eventually learned was that there was no distance I could go or goal I could achieve that would be “enough.” And I think that’s something a lot of artists can relate to as well when they’re creating. It’s a lesson I will continue learning for a long time." -Will Calkins, director

Takeaway

Countless athletes, both present and former, will likely find many moments of relatability in On Guard. This complex character portrait was recently screened at the 2026 RiverRun International Film Festival.

by Morgan Rojas

'Villa 187' Review: Home is Where the Heart Is

What does "home" mean to you? Is it a place, or is it a feeling? Sudanese filmmaker Eiman Mirghani searches for meaning in her personal short film, Villa 187. Using voice notes and family archival material from childhood to the present day, Eiman constructs a visual tapestry of memories.

Embracing the Warm Wave of Nostalgia

"Nothing stays forever," Eiman's father says in a voice note. His delivery is rather blunt, but honest. Its impact is bittersweet, as it comes on the heels of his job loss and subsequent dislodgement from their home. Eiman and her family, who called the quaint villa in Qatar home for over three decades, are now faced with an uncertain reality. As Eiman packs up her life, she rummages through old photos and VHS tapes of family gatherings and events. A flood of memories rushes in; the nostalgia is a warm and welcome feeling. However, anxiety about the future is looming. Through candid voice notes, Eiman's father does his best to reassure her that everything will be okay. But reading between the lines, it sounds like he is trying to reassure himself, too.

Director's Statement

"The day I learned our family visa was canceled, my brain spun with questions I’d never really sat with before. Questions about duty, identity, and what makes a place more than just four walls. My dad losing his job was the spark, but the fire was realizing I didn’t know how to define “home.” That’s why I picked up the camera: to catch this strange mix of grief, nostalgia, and curiosity before it slipped away. It’s been a while since that day, but the urge to share this canon moment hasn’t left me. I know I’m not the only one who’s had to pack up their life in a box and wonder where they belong." -Eiman Mirghani, director

Takeaway

Running eight minutes long, Villa 187 is a beautiful portrait of self-reflection. Its message of embracing life's in-between moments is a universal one, and its delivery is deeply impactful. Villa 187 made its International Premiere at the San Francisco International Film Festival.

by Morgan Rojas

'Before The Moon Falls' Review: A Tribute to a Tortured Genius

The tragic story of a famous Samoan poet ends in heartbreak in the documentary Before the Moon Falls. Director Kimberlee Bassford's poignant portrait of a tortured genius is a stunning case study of the cinematic art form. Kimberlee not only draws attention to this acclaimed writer but also showcases the reality of documentary filmmaking when your subject is mentally unstable. Before the Moon Falls is a bittersweet but ultimately fascinating story of how one woman went from a promising artist to a prisoner.

To See the Beauty of Life, One Must Understand Suffering

The film centers around Sia Figiel, a groundbreaking author and poet. Sia is universally celebrated for giving a voice to the struggles of Samoan girls and women. Her status in the community was Kimberlee's initial inspiration to shed light on Sia's story. However, no one could have predicted what was to come. For eight years, Kimberlee follows Sia on her unconventional life journey from literary stardom to a diagnosis of depression and bipolar disorder. Sia's complex mental illness, which lay dormant for years, begins to rev up with a vengeance. She abandons her children, flees town, and ends up in the hospital after an overdose. Her struggles are intense, but her determination to overcome them is stronger.

For a while, it seems like the worst is behind them. Sia sits down with Kimberlee at what is supposed to be their last interview. She radiates hope and positivity; all indications point to this tumultuous story having a "Happily Ever After" Hollywood ending. But that's not what ends up happening.

As the documentary is nearing completion, Kimberlee receives a shocking message that Sia has been arrested over the death of a dear friend, Caroline Sinavaiana-Gabbard. Gabbard makes an appearance earlier in the film, which allows the audience to become familiar with her. This revelation throws Kimberlee and her film into disarray. What was intended to be a story arc of redemption and recovery instead becomes a tragedy. Using this news, Kimberlee breaks the fourth wall by appearing in the last ten minutes of the film. She records phone calls with Sia from prison, as well as video interviews with doctors who break down Sia's bipolar condition. Kimberlee, like her audience, is now trying to make sense of what happened.

A Near Decade-Long Production Comes to a Devastating End

After following Sia for nearly a decade, it would be easy for Kimberlee to show an empathetic bias toward her story. After all, this film was intended to end on a positive note. But Kimberlee never lets her personal feelings get in the way of the truth. As a journalist and documentary filmmaker for 20 years, she lays bare the ugly reality of mental illness. Intimate footage and conversations built on years of mutual trust make the whole viewing experience extremely personal. Sia has her flaws, but we never stop rooting for her recovery.

Director's Statement

"Mental illness cuts across cultural, political, educational, and socioeconomic lines. Around the world, communities are grappling with the impacts of mental illness in their streets, workplaces, schools, hospitals, and prisons. Moreover, mental illness doesn’t just impact individuals but their families and entire communities. Yet there is little understanding of the scope and diverse experiences of mental illness and little consensus of how to treat people who suffer from it. Sia’s story is just one woman’s story. It cannot represent everything about mental illness nor should it. But it can humanize mental illness and spark discussions of how we can better address it in our families and communities. While Sia’s story has a tragic ending, my hope is that by seeing her story, others whose lives are touched by mental illness will have better outcomes." - Kimberlee Bassford, director

Takeaway

Winner of the Grand Jury Prize at the Festival International du Film Documentaire Oceanien in Tahiti, Before the Moon Falls is essential viewing. A riveting, powerful watch from start to finish.

by Morgan Rojas

'Method' Review: Movie Magic Turns Tragic

An unhinged director turns "movie magic" into murder in filmmaker Chandler Balli's latest feature, Method. Taking inspiration from the term "method acting," this horror-comedy follows a group of amateur actors who are unknowingly cast in a low-budget movie with a literal do-or-die ending. A smart script gives this indie feature a strong baseline, which Balli's directorial vision further brings to life.

A Genius, or a Madman?

Ahead of filming the third installment of his horror trilogy, Tapeface, director Derek Ryan (Balli) gathers his newly assembled cast together. He explains the unorthodox guidelines they must follow ahead of filming, which include signing five-year contracts, NDAs, and an immersion clause that carries a $1M fine if broken. Needless to say, Derek is running a tight ship on the set of Tapeface 3. His paranoia doesn't stem from fear that the actors will leak secrets from the set. He knows that's impossible, because they'll all be dead.

Tapeface 3 is Derek's masterpiece, and he will finish the film at any cost. To make his slasher film as realistic as possible, Derek enlists Trevor (Travis Lee Prine), his friend and the film's titular villain, to literally commit murder. As cast members are picked off one by one, paranoia sets in among the remaining cast. Is their director a genius, or a madman? One thing is for sure, they've signed up to star in the role of a lifetime.

A Needle in the Haystack of Low-Budget Horror Films

With an estimated budget of $3,500, Method is a needle in the haystack of low-budget horror films. It's highly aspirational, as Chandler Balli not only confidently directs but also impressively stars in the film as well. The character of Derek Ryan exhibits a delightfully dangerous dichotomy. On one hand, he is a goofball. His explosive tirades are less intimidating as they are pathetic. Clearly, he is dedicated to his art, but being passionate is very different than being professional. However, his untrustworthiness is apparent from the very beginning; at least I personally would second-guess anyone wearing a Kanye "I Feel Like Pablo" t-shirt. Visually, Method has the look and feel of a traditional horror film, primarily using a handheld camera. The soundtrack curation is stellar, giving chaotic energy to an already tense viewing experience.

Takeaway

With Method, Balli proves he is a standout voice among the new generation of indie horror filmmakers. Just as Derek Ryan dreams of his art being forever immortalized in celluloid, Chandler Balli's film will live on in the same way.

by Morgan Rojas

'The Veteran' Review: A Story of Struggle and Redemption

Though many in this world have life stories that deserve recognition, this is especially true of veterans. Filmmaker Wilfred La Salle reminds us of the importance of empathy for those who sacrificed for their country with his feature film, The Veteran. Choosing a U.S. Marine as the protagonist in this universal message of fostering compassion for our fellow neighbors, The Veteran shows how a simple act of kindness can change someone's life.

From Deployment to Dependency, a Story of Complicated Struggle

Jose Torres (Yanko Valentin-Perez) is a U.S. Marine who finally reunites with his wife and young son after returning from war. Thinking the worst is behind him, Jose has a new lease on life and looks forward to spending quality time with his loved ones. He never anticipated the devastation that would follow him from a dangerous war zone to his front door. Receiving the news that his wife and son were killed in a car accident sends Jose into a spiral of overwhelm, to the point of being medically prescribed opioids. His doctor is quick to resort to pills to deal with the pain of his loss, when what Jose really needs is a healthy way to cope with his inconsolable guilt and heartbreak.

What started as a treatment becomes a life-shattering dependence. The opioids' addictive nature uncontrollably takes hold of Jose, and their effect is life-altering. He is administratively separated from his world of military service and becomes homeless. Just as Jose is hitting rock bottom, he crosses paths with Maxwell Cade (Lancelot E. Theobald Jr.). Maxwell is the CEO of Blackwood Global Investments with a compassionate heart and sees past Jose's superficial shortcomings. He takes it upon himself to care for Jose, offering him not just opportunities and companionship, but a second chance at life.

A Social Issue Film Made on a Zero-Dollar Budget

The Veteran is the seventh film in seven years by multi-hyphenate creative Wilfred La Salle. As the film's director, writer, producer, and lead cinematographer, his fingerprints are all over this social issue drama. La Salle brought this film to life on a zero-dollar budget, impressively employing guerrilla filmmaking techniques throughout NYC. The performances are equally compelling, especially Yanko Valentin-Perez as Jose. His transformation from war hero to homeless vet feels genuine. As the sole screenwriter, La Salle crafts a compelling narrative that will resonate with all who watch.

Takeaway

Homeless veterans are not looking for a handout, just a hand up. This powerful message is the backbone of The Veteran, a timely drama that sheds light on an important issue. The film debuts on Fox Soul on May 11, 2026.

by Morgan Rojas

'A Quiet Storm' Review: Reclaiming Identity Through Dance

The power of dance as a universal language is showcased in filmmaker Benjamin Nicolas' short documentary, A Quiet Storm. Centering around a 14-year-old Krump dance prodigy from suburban Tokyo, A Quiet Storm elegantly explores themes of longing, sacrifice, and passion. The film's message is propelled by beautiful visuals and breathtakingly impressive choreography. It's a compelling watch from start to finish.

Dancing Through Life

Maïto is not your typical teenager. While he navigates the pressures of school and family dynamics like most of his peers, he also juggles a demanding career as a Krump dancer. Krump dance is commonly described as a highly energetic street dance that originated in South Central Los Angeles in the early 2000s. There is a raw and aggressive nature to the movements, which contradicts Maïto's soft-natured personality. Off the dance floor, he is a quiet and introspective kid.

Through an intimate interview with his mother, we learn more about Maïto's backstory. She admits that he grew up quickly due to her needing to care for his deaf sister. In a heartbreaking moment of vulnerability, she confesses that she didn't express her love to Maïto often enough. This is why she believes he got into dancing: as a way to win her attention and praise. Maïto, who goes by the stage name Lil Krow, began dancing at four years old.

Powerful Directorial Decisions Make For an Unforgettable Moment

A Quiet Storm is visually quite stylish. There is an observational quality to the pacing that employs long takes with simple camera setups. This editorial choice immerses the viewer into the scene as opposed to rushing through it, and it works quite well. Another creative directorial decision occurs toward the end of the film. Maïto is dancing for his sister, and his energy is infectious. The moment flips to the POV of his sister, and the film goes silent. This is how she sees her brother, without sound but not without passion. The emotional impact of this moment is powerful.

Director's Statement

"The day my six-year-old daughter started Krumping, I had no idea it would completely reshape my understanding of childhood, identity, and the fundamental need for self-expression. She didn’t know what Krump was, yet something inside her had to come out—raw, unfiltered, urgent. I watched in fascination as her body spoke before her words, telling a story she might not even fully understand yet.

That was when I first discovered Maïto—in a viral YouTube video. He was only eight years old, yet already carried an immense, almost primal rage within him. I immediately saw a reflection of my daughter in him, and in many ways, a reflection of myself. He, too, danced with an undeniable need to express the unspoken. But unlike my daughter, he was growing up in a country where order and silence are valued above all else, where the pressure of school and society can crush individuality. His Krump wasn’t just movement —it was a cry, a survival mechanism, an act of defiance. I wanted to understand him.

A Quiet Storm was born from that need to understand... At its core, it is the story of a mother and son, a silent dialogue where every sacrifice, every glance, speaks volumes... As a father, an artist, and a man, this story resonated with me in a deeply personal way. Maïto reminded me of something essential: sometimes, movement is the only possible response to inner chaos. I hope that A Quiet Storm resonates with anyone who has ever felt that urgent need to express, to affirm, to claim their place in the world. Because sometimes, a single movement can speak louder than words." -Benjamin Nicolas, Director/Producer

Takeaway

A Quiet Storm is not just a story about an impressive dancer. Behind Maïto's talent and skill is a deeply complex family story that tackles themes of identity, artistry, and the universal language of dance. A Quiet Storm first screened at the 2025 San Francisco International Film Festival.

by Morgan Rojas

'Beneath Us All' Review: A Story of Resurrection and Survival

A once-dormant evil presence is abruptly unearthed in filmmaker Harley Wallen's independent horror film, Beneath Us All. Spanning centuries and spiritual planes, Beneath Us All blends fantasy with good, old-fashioned thrills. Wallen enlists his regular troupe of actors, including Kaiti Wallen and Yan Birch, to bring this story of resurrection and revenge to life.

Coming Face to Face with the Devil

The film begins by providing a crucial backstory about one man's unfortunate demise in Scandinavia, 912 AD. After being buried, Frey (Birch) is presumed dead and transported to America by a mob of Scandinavian villagers. Fast forward to the present day, and we are introduced to Julie (Angelina Danielle Cama). Julie is a foster child on the cusp of her 18th birthday, and struggles with her home life. Her foster parents are selfish and ignorant of Julie's needs, the opposite of her empathetic nature. She gets along well with her younger foster brother, Stephen (Malachi Myles), who looks to Julie for safety and security. Running parallel to this storyline is a determined caseworker, Rebecca (Kaiti Wallen), who counts Julie and her family as clients.

One night, in an attempt to free herself from the despair of her homelife, Julie runs off into the woods, where she stumbles upon a strange discovery: a Yggdrasil pendant. She unintentionally uses the pendant to resurrect a demonic spirit, disguised as the man from the beginning of the film, Frey. What follows is a bloody trail of chaos and cannibalism, and things get personal when the creature goes after Julie's foster brother. This soon becomes the ultimate test of what she is willing to sacrifice for her family.

A Multi-Award Winning, Full-Bodied Production

Harley Wallen is no stranger to supernatural horror, and Beneath Us All is an epic showcase of his craft. The use of practical effects grounds the film in reality, making the horror beats much more sinister. The screenplay, written by Bret Miller, does an excellent job of balancing both Julie and Rebecca's storylines. Each character has their own independent story arcs, with their eventual crossover feeling organic and unforced. Aiding in the film's overall aesthetic is the full-bodied, uptempo score. Composers Firoze and Kaizad Patel incorporate sweeping choral arrangements, thematically similar to a Hans Zimmer production. Since its release in 2023, Beneath Us All has received nineteen wins and nine nominations at various film festivals.

Takeaway

For an indie feature, Beneath Us All has a large screen presence. Its genre-spanning script, combined with compelling performances and confident direction, makes Beneath Us All a truly haunting tale.

by Morgan Rojas

'The Floor Remembers' Review: Capturing a Magical Sense of Nostalgia

Many of us have fond memories of a special place we frequented in our childhood. For those who grew up in Kendall, FL, that place is most likely the local roller rink, Hot Wheels (no correlation to the Mattel matchbox car IP). In the short documentary The Floor Remembers, director Jayme Kaye Gershen captures the magical feeling of nostalgia with this cinematic time capsule of a Miami landmark. The film made its World Premiere at the 2026 Miami Film Festival.

Where Everybody Knows Your Name

Everyone has a story about Hot Wheels. From birthday parties to weddings and even funerals, Hot Wheels, located twenty miles outside of Miami, was the place to be ever since it opened its doors in 1987. Despite the city's continuous change and reinvention over the decades, the local roller rink remained a comforting constant. The funky disco music, the Monday night adults-only free skate, and even the employees have kept the spirit of the rink alive. One of Hot Wheels' long-standing employees, Brenda, acts as the film's narrator. She is definitely qualified to discuss its colorful history. Brenda started working at the rink at 16, and she's now 50. As if her tenure and rollerblade earrings didn't give it away, her life is dedicated to this special place.

Through intimate interviews with previous and current company owners, employees, and patrons, The Floor Remembers acts as a love letter to a cultural institution. The documentary has the feel of a video essay, with collage-style editing and structure. Archival footage blends with modern-day rolling shots, captured by skate cinematographer Jorge Graupera.

Director's Statement

"My work moves across film, photography, sound, and immersive installation, exploring how people connect to one another and to place. I am interested in the emotional patterns that shape identity, and in storytelling as a way of creating access; an entry point for seeing ourselves in others... With The Floor Remembers, I expand this approach through collaboration. Working with the Miami roller rink community, I placed a camera directly in the hands of a regular skater and invited participants to contribute their own images and stories. The film becomes a collective portrait, one shaped from within, capturing a space where memory, movement, and identity continue to circulate." - Jayme Kaye Gershen, director

Takeaway

The Floor Remembers is more than just an homage to a Miami landmark. It acts as a visual memory scrapbook for those who consider this special place a second home. It doesn't matter your background; whether you're a doctor or a drug dealer (apparently, both have been patrons). If you frequent Hot Wheels, you're part of the family.

by Morgan Rojas

'The Yellow Balloon: The Curse of Vincent Vile' Review: A Bonkers Fright Fest

Filmmaker Jason D. Morris is not afraid to unleash the beast in the wildly unhinged horror flick The Yellow Balloon. Part grindhouse expose, part supernatural chaos, The Yellow Balloon is a divisive horror-comedy that proudly caters to a niche audience. With a screenplay by Robert Carrera, The Yellow Balloon doesn't take itself too seriously, which is the best way to enjoy this bonkers fright fest. Leave your expectations at the door and prepare yourself for a truly unique viewing experience.

Heartbreak is a Killer

After suffering a devastating breakup, Mia (Justine Leverett) and her friends escape to a remote cabin in the woods so she can clear her head. Mia and her pals, Harper (Shelby Broadnax), Travis (Robert Carrera), and Eli (Justin Jobe), have every intention of making this weekend one of rest and relaxation. However, there are external forces at play that choose savagery over serenity. A disturbing number of yellow balloons seem to appear out of nowhere. Surprisingly, they bring with them a demonic force that the friends struggle to fend off. This leads to the discovery of Ringmaster Vincent Vile (Scott Somers), a creepy carnival figure who is behind the twisted occurrences. Vincent deploys cursed VHS tapes and an army of yellow balloons to incite violence and throw the groups' trust into question, disrupting their friendship dynamic and turning them against each other.

A Disturbing Occult Carnival Nightmare

Those with a fear of clowns or circus-related paraphernalia will want to steer clear of The Yellow Balloon. For those who love the imagery of an occult carnival nightmare, this one's for you. Director Jason D. Morris embraces the film's campy spirit with grotesque body horror, sexual scenarios, and lots of special effects makeup. The Yellow Balloon leans into NSFW moments, as exploding penises and a balloon extraction from a woman's vagina are only the beginning of the madness.

The majority of the film takes place at night, which lends itself to an overall darker color palette. This backdrop sets the scene for the story arc's impending spookiness, which is amplified by a playfully thrilling score. The four leads each have their moments to shine throughout the film, and their authenticity on screen carries more weight than the quality of the performance.

Takeaway

The Yellow Balloon is not your traditional horror film. What we have here is a genre-specific, carnival creature feature that may creep you out more than scare you. That said, however, the commitment to the bit is quite commendable.

by Morgan Rojas

'Pittsburgh' Review: An Unexpected Journey of Self-Discovery

A young girl embarks on an unexpected detour, both literally and figuratively, in filmmaker Ali Marsh's short dramedy, Pittsburgh. Set in 1979, Pittsburgh explores the moment of disillusionment for a child who realizes that the adults in her life may not be as dependable as she has been conditioned to believe. Originally devised as a feature-length film, this shortened version of Pittsburgh serves as the preview of a concept story that audiences can hope to see expanded in the near future.

An Unexpected Journey of Self-Discovery

Mints (Delaney Quinn) is a nine-year-old who is wise beyond her years. Her maturity seems to surpass her father's, who has been a basketcase of emotion ever since his divorce from her mother. Post-separation, Mints has had to split her time between both parents, who live hundreds of miles apart. During this recent visit, her father has been especially needy, and Mints can't wait to return to her mother's house. Traveling solo, she boards her flight with the expectation that the worst is behind her. However, the pilot announces that the plane is rerouting to Pittsburgh overnight, as groans of disappointment erupt from the passengers. Mints is annoyed, but faces this unexpected adventure head-on.

Given that she is a minor, Mints is legally left in the care of Leslie (Nadia Quinn), a flight attendant. What transpires after that is a chaotic, emotionally-fueled night complete with her guardian's drunken shenanigans. Mints finds comfort in the presence of a fellow passenger from the plane who resembles a grandmotherly figure, but even this woman's companionship can't alleviate Mints' sudden, life-changing realization: the adults in her life may be older, but that doesn't mean they know better. Mints recognizes that from this point on, she cannot blindly rely on adults. She must be her own protector.

For Fans of Little Miss Sunshine

In Pittsburgh, writer/director Ali Marsh transports audiences back to the 70s with great attention to detail. From the authentic production design and costumes to the overall aesthetic of the film, Pittsburgh feels like a cinematic time capsule. Bringing the story to life is the spunky Delaney Quinn, who perfectly embodies Mints. Mints is a dynamic character; the juxtaposition of her innocence and independence is reminiscent of another fabulous young protagonist, Olive (played by Abigail Breslin), in Little Miss Sunshine. In fact, the film as a whole has a similar tone to the 2006 Academy Award-winning feature.

Director's Statement

"I hope people are moved and entertained by this coming-of-age story. This inflection point in a child’s life when they realize that the adults in the room not only do not have all the answers, but that the child herself might actually have access to a purer font of knowledge than the adults around her. So, it’s a bit heavy in a way, but also, hopefully, somewhat funny!" - Ali Marsh, writer/director

Takeaway

This coming-of-age story is a true indie gem that tackles emotional growth with humor and heart. Pittsburgh will make its World Premiere at the 2026 Cleveland International Film Festival.

by Morgan Rojas

'Monument' Review: Unity is the Foundation of Peace

Bohemian Rhapsody and X-Men director Bryan Singer shines a light on an unsung hero in the historical drama Monument. Inspired by true events, Monument tells the story of award-winning Israeli architect Amnon Rechter and his contributions to bringing peace amidst ongoing political tension. While Rechter may not be a household name, Monument aims to make sure his legacy is acknowledged and remembered. Given the state of our current political climate and international conflict, Monument is not only timely viewing but also essential.

The Harder the Battle, the Sweeter the Victory

Amnon Rechter (Joe Mazzello) and his father, Yacov (Jon Voight), are prominent Israeli architects who are facing the biggest commission of their careers. The year is 1999, the penultimate year of Israel’s occupation of southern Lebanon, and they are tasked with erecting a Monument to honor fallen SLA, or Southern Lebanon Army, soldiers. The Israeli Ministry of Defense is financing the project, and that comes with strings attached. In addition to the moral and political landmines that must be navigated during the structure's conceptualization, Yacov and Amnon find themselves frequenting a dangerous area near Lebanon’s security zone called “Death Road.”

Amidst the chaos and conflict, Amnon returns to his belief that unity is the foundation of the future. His idea for the monument reflects this communal remembrance. He doesn't agree that this structure should only commemorate the fallen Israelis, but should include all those who sacrificed their lives for their freedom. He begins conceptualizing a sacred space, akin to a Zen garden, where Christians, Muslims, and Jews can find peace and solidarity. Amnon's intentions, while pure, don't sit well with everyone in his community. Yet, despite the lackluster support, he carries on. He collaborates with the local South Lebanon Army to safely build a monument that transcends nationalism.

Capturing the Artistry Amidst the Chaos of Conflict

Led by director Bryan Singer, the inspiring story of Amnon Rechter gets the Hollywood treatment in Monument. It combines the very best of a powerful blockbuster with the spirit of an independent film. Cinematographer Ziv Berkovich captures the film's intensity by utilizing extreme close-ups and handheld shots. This organic style of filmmaking drops viewers into the story as if we are on the front lines. The sweeping score from composer Kenneth Lampl further amplifies the film's overall boldness.

Director's Statement

"Wars leave the same scars across all nations, whether in Lebanon, the Balkans, Rwanda, Ukraine, or elsewhere. Monument doesn’t reduce conflict to politics. It mourns loss–all loss–and insists on the humanity behind every tragedy. It also invites audiences to imagine the alternative: a world where 'love thy neighbor' is not a commandment ignored, but a reality lived. Every one of us carries traumas from the past, but what we do with this legacy of scars is up to us. Inheritance is not destiny." - Bryan Singer, director.

Takeaway

Monument's big takeaway is less about architecture and more about conscience. Regardless of political or spiritual beliefs, Monument tells a universal story by exploring the theoretical question: Can art unite where religion divides? One can continue to hope so.

by Morgan Rojas