'S86' Review: Kill Your Darlings
A wise man once said, "With great power comes great responsibility." This motto isn't just for superheroes, it also applies to companies who may have a level of influence. The motivation for any business should be to improve the lives of their customers through their products or services, not endanger them. In filmmaker J Lee Vertz's sci-fi/thriller S86, a shady corporation finds itself at the center of a scandal when an illegal mind-controlling drug threatens to wreak havoc on humanity as we know it.
Kill Your Own Creation to Save Humanity
The pharma giant, Pharmacyn, may appear to be a stellar health company, but behind the scenes there is evil brewing. One of the company's top scientists, Dr. Love (Johnny Rocko), operates in the shadows on his passion project: a mind-control drug capable of turning human subjects into obedient killers. In the shadow of darkness, Dr. Love and his cronies abduct innocent victims and conduct illegal human trials by injecting their captives with a substance mysteriously called Solution 86. So far the experiments have been unsuccessful, as everyone who receives S86 dies. That is, until they test it on Subject 13 (Saw Gud).
Subject 13 defies the odds and survives the brutal injection, turning the pain into his superpower. This catches the attention of another scientist, Dr. Andy Jensen (Robert Snow), who recognizes the impact of this moment and knows that he is the only one who can put a stop to the inevitable madness that's coming. Despite Dr. Jensen's attempts to expose the illegal operation, Dr. Love quickly tries to silence him. Dr. Jensen is kidnapped, tortured, and left to fend for himself against Subject 13, who has been given orders to destroy him. Like Frankenstein's monster, Dr. Jensen must ultimately kill his own creation to save humanity.
Man vs Human-Made Machine
Like a twisted game of cat and mouse between man and a lethal human weapon, S86 is a thrilling watch from start to finish. Viewer adrenaline is high throughout the film's runtime, as we watch Dr. Jensen and Subject 13's blood-soaked chase to the death. Director J Lee Vertz, who also acts as Executive Producer, Editor, and Sound Designer, smartly places emphasis on the music and sound design, which provide deep creative meaning rather than just cinematic flair. The sonic storytelling shapes the film's pacing and psychology; J Lee knows when to activate composer Mezus' beat-heavy score to invoke the thrills while also leaning into the quiet, more suspenseful moments by utilizing silence.
Director's Statement
"At its core, S86 is about systems that normalize harm through distance and design. It explores how language, procedure, and corporate logic can strip humanity from decision-making, allowing violence to effortlessly exist in the shadows without spectacle. The film is less interested in villains than in environments—spaces where moral responsibility is diluted until no one feels accountable. S86 is... a film born from collaboration and persistence. Ultimately, it reflects my belief that sometimes the most unsettling stories are not about imagined futures, but about the structures we already live inside—and how easily we learn to accept them." - J Lee Vertz, director
Takeaway
Proving that both style and substance is achievable in horror, S86 avoids traditional genre tropes to create unique visceral tension.
'Dragon Mom' Review: A Fiercely Honest Portrayal of Resilience
As a first time mom to a three-month-old baby boy, I have become much more sensitive to stories of motherhood. And to that point, filmmaker Harrison Buck has no trouble pulling at my heartstrings in his short documentary Dragon Mom, which highlights the powerful bond between a mother and her disabled son. In his film, the term "Dragon Mom" is used to describe the mother of a child with a life limiting illness. Much like the name suggests, Dragon Mom is a fiercely honest portrayal of resilience and a mother's unconditional love.
The Secret to a Fulfilling Life: Gratitude
If ever there was a parent who shines bright with positivity and optimism, despite incredible challenges, it's Laura Will. Laura is the mother to a five-year-old son, Alden, who lives with a severe disability. Alden is nonverbal and paraplegic, and fully dependent on Laura for every basic need. Despite his limitations, Laura commits to giving Alden the same opportunities his able-bodied peers can experience. This includes advocating for accessibility at her local playground and taking Alden skiing by way of adaptive equipment.
Gratitude is what gives Laura the strength to keep going in the face of emotional, physical, and societal complexities. She explains that she lives her life in deep gratitude for the little things Alden can do. She doesn't dwell on what he can't. Her wisdom is admirable, and offers the viewer a deeper understanding of what it means to be truly compassionate.
On Redefining Resilience
One may look at Laura and pity her situation. It is absolutely devastating to know that a parent will outlive their child. However, Laura is the last person to see herself or Alden as victims. Instead, she takes her passion for inclusivity and channels that into tangible action to create a better life for her son. Through intimate interviews, Laura gets real about the struggles and joys of raising a disabled son in a mostly able-bodied world.
Director's Statement
"This film has been an absolute joy to work on. I think the most challenging part for me was just making sure in the end that we captured Laura’s voice, life and story as honestly as possible, and doing the best justice to those attributes as possible. My hope is that [viewers] see the world with just a little bit more empathy and understanding of what others are going through." -Harrison Buck, director
Takeaway
Dragon Mom is a resounding achievement of inclusive storytelling and a beautiful beacon of empathy. The film recently premiered at the Lighthouse International Film Festival.
'To Busk or Not to Busk' Review: Calling the Streets Their Stage
Two sidewalk street performers get their turn in the spotlight in filmmaker Antonio G. Wagner's short documentary, To Busk or Not to Busk. Making its premiere at the 2026 San Francisco Documentary Festival, the film highlights the heart and soul of those extremely talented, but often-overlooked, entertainers. Driven by passion and the need for self-expression, To Busk or Not to Busk offers a heartwarming look at the people who make it their mission to share their music with the world.
Sing Street
The film gives viewers a look into the lives of street musicians John Goodblood and Kevin Zi-Xiao. Both are immigrants who find their creative outlet through busking, which is another word for street performing. John Goodblood has called the streets his stage for nearly fifteen years. His voice is reminiscent of a young Bob Dylan, and his songs rival the legendary singer too. With only an acoustic guitar, his songs take on an anti-establishment tone. Kevin Zi-Xiao is newer to the scene and only turned to busking during the pandemic. He is a contemporary classical musician who creates experimental Japanese music with flutes and cellos.
In interviews, John and Kevin both speak fondly about the euphoric nature of busking and how it is a wonderful way to connect with strangers. Despite these wonderful qualities, busking comes with volatility, like harassment and financial instability. At a certain point, they must face the music and ask themselves, "Is a busking career worth it?"
Creative Expression Through Songwriting and Cinematography
In To Busk or Not to Busk, director Antonio G. Wagner creates a compelling portrait of two men struggling with balancing artistic freedom and practical ambition. The interviews he conducts are visually stylized; almost looking like footage from a 90's MTV music video. The cinematography mirrors the creativity of its on screen subjects, capturing a similar offbeat artistic expression.
Director's Statement
"When my father lived in Paris in 1990 for one year, he spent his free time playing guitar in the city’s metro. Beyond enjoying music, he felt compelled to share the transcendent feeling he experienced while performing with the people around him. His talking about how strangers paused and found comfort in his music left a lasting impression on me, also coming from a music background. Living in any urban city, buskers become part of everyday life, yet I feel like their artistry is underappreciated despite the emotional impact they have on the public.
This inspired me to create To Busk or Not to Busk, a documentary that explores the value of busking through the perspectives of very different immigrant musicians, John Goodblood and Kevin Zi-Xiao He. My goal was to make audiences see a street musician with the same artistic respect as an orchestral performer, while revealing the deeper meaning of artistry as both personal expression and human connection." -Antonio G. Wagner, director
Takeaway
Although it is a rhetorical question, To Busk or Not to Busk proves that pursuing your passion has no barrier to entry. If gratification is what one is seeking, then saying yes to your dreams is worth the risk.
'The Closet' Review: A Heartfelt Declaration of Bisexuality
June may be designated as Pride Month, but stories featuring LGBTQ+ protagonists should be celebrated year-round. That said, now is as good a time as any to catch filmmaker Olivia Jean Hamilton's short film based on her own coming-out experience, called The Closet. Running a swift 5 minutes, The Closet is a good-hearted satirical comedy that addresses one woman's declaration of bisexuality and subsequent fear of ostracization for her fluidity.
This is Me
Olympia (Amy Ward) is putting the finishing touches on a few appetizers as she prepares for her friends to come over. This isn't just an ordinary hangout at her apartment; Olympia is planning on sharing life-changing news. Her anxiety gets the better of her as she fidgets with the grazing plate and practices grand gestures over and over again. Today, Olympia is coming out as bisexual. She's not necessarily nervous to share the news; rather, she worries about how her judgmental gay friends will accept her new truth.
The moment of truth finally comes when her friends, Gray (Moe Dagane), Sasha (Jasmine Vaughan), and Becca (Marylynn Sienna) arrive. Olympia sits them down on her bed and, after taking a deep breath, enthusiastically walks herself out of her closet. It takes a few attempts, but eventually her friends catch on. Olympia is, quite literally, coming out of the closet. Her friends are enthusiastic, especially her queer friends Gray and Sasha. "Another gay!" they cheer, but Olympia is quick to clarify that no, she's not technically gay, just bisexual. This small but resounding distinction is offered with an earnest yet lightly sarcastic tone. Clearly, it will take some time for Olympia to become comfortable with her new identity, but her friends prove that they love her and support her unconditionally.
Capturing the Nuance of a Life-Changing Moment
The complexity of coming out as bisexual is nuanced, and filmmaker Olivia Jean Hamilton does an excellent job capturing this moment with humor and heart. The purple pastels that Olympia decorates her apartment with, especially the food, are intentional and smartly art-directed. Using limited resources to their full advantage, Olivia flips the script on traditional stereotypes, making them her own. We see a variation on a tradition typically used in a baby gender reveal, when Olivia turns a cake into a "sexual preference reveal cake", with the center revealing purple frosting: a mix between blue and pink. This creative adoption of mainstream gender stereotypes is a punchy statement that sends a powerful message through the lens of comedy.
Director's Statement
"This film is based on a true story of how I came out to a group of friends in boarding school. Back in my teens, I was nervous to tell my straight friends. But now, we bisexuals are more nervous to tell our judgmental gay friends! This is a fun and quirky coming-out story that everyone can enjoy." -Olivia Jean Hamilton, director
Takeaway
The story behind The Closet has a much deeper meaning than just showing a young woman coming out to her friends. It addresses and validates the modern-day anxiety that some bisexual people feel around their friends. A decorated film festival darling, The Closet first premiered at the 2025 Culver City Film Festival.
'Màquina' Review: An Unconventional Rehabilitation
The road to recovery is rarely linear. This is especially true in the experimental documentary, Màquina. In this deeply personal portrayal, filmmaker Joaquim Adrià Pujol captures his own family's turbulent journey towards healing and enlightenment. Consumed by the generational cycle of addiction and trauma, Pujol fully immerses the viewer in the grueling uphill battle that overcoming addiction entails.
Choosing the Road Less Taken
Xavi Pujol Berlanga and his son, Marcel Enric Pujol, find themselves at a crossroads when their addictive behaviors threaten to derail their lives. After decades of suppressing emotional turmoil and trauma, both father and son agree that now is the time to "break out of their own bullshit." In lieu of traditional treatment or rehab, Marcel is optimistic about an alternative plan, which includes a road trip in an RV across the American West while using ibogaine, a type of plant medicine from Africa that rapidly reduces withdrawal symptoms and substance dependencies. Xavi, who is initially resistant to Marcel's psychedelic-assisted treatment plan, eventually agrees. What follows is an unconventional journey that weaves through physical and emotional hurdles, sending father and son on a path toward judgment-free healing.
The Vulnerability of Complete Immersion
Director Joaquim Adrià Pujol's raw, grounded approach to telling this story is what makes Màquina so visceral. His up close and personal relationship to the characters, who are literally his father and brother, creates an immediate bond and trust with the audience. The production is lo-fi and minimalist; there are no overly produced setups or expensive gear in sight. Yet what the film lacks in budget, it more than makes up for in storytelling. This documentary is more than just a story of redemption and recovery. It's an emotionally deep, lyrical exploration that acts as a testimonial to shedding a past that no longer serves you.
Director's Statement
"Màquina is a personal reckoning, a deeply intimate exploration of the threads that bind family, addiction, and healing. This film is rooted in my own experience, a journey through the heart of a complicated father-son relationship shaped by generational trauma and substance use. Màquina is an exploration of harm reduction in the treatment of addiction. The film resists easy answers, leaning instead into emotional nuance and the raw, often uncomfortable truths of loving someone through their struggle.
By inviting viewers into this vulnerable process, I hope to challenge the stigma surrounding addiction and honor the imperfect, persistent effort of showing up for one another even when the path forward is uncertain." - Joaquim Adrià Pujol, director
Takeaway
Màquina's exploration of codependency, set against the American West, is a powerful portrait of strength, beauty, and aliveness. The film recently premiered at the 2026 Brooklyn Film Festival.
'Time and Water' Review: The Land of Fire and Diminishing Ice
In 2021, I travelled to Iceland to visit my now-husband, who was working with a high-profile band on their upcoming album. We stayed primarily in Reykjavík, except for a multi-day road trip through the Golden Circle and the more remote parts of the country. I was standing on a cliff near the Gullfoss Waterfall when I concluded that to truly understand the beauty of nature, one must spend time in Iceland. Never before have all of my senses lit up at once: the breathtaking panoramic sights of waterfalls, the crisp chill in the air while riding Icelandic horses, and the one-of-a-kind scents from a local, family-run perfumery (shoutout to Fischersund) all told a unique story about a small, yet persevering country. My theory is substantiated by Sara Dosa's latest documentary, Time and Water, which captures the fragility of Iceland's environment amidst generational legacy.
The Land of Fire and Diminishing Ice
Water is one of our most precious natural commodities, and yet, due to climate change, there is no guarantee that it will remain a viable lifesource. This devastating reality is already taking shape in Iceland, where glaciers are "dying" and running out of water. Andri Snær Magnason, a profound poet and author, captures this emotional moment in time in a very personal way by relating it to lineage and his own family tree. Melting ice not only disrupts the ecosystem but also throws the whole country into an identity crisis. What is Iceland without ice? In that same vein, what is his familial legacy once his elders pass away?
To make sense of this existential question, Andri picks up a camera and creates a cinematic time capsule about this all-encompassing shift from life to death. Throughout the film, Andri's lens alternates between home video archives and close-up visuals of glaciers and other water resources. As the film's protagonist and narrator, Andri's sensitive nature and adept intuition make for a compelling watch.
The Hard Goodbye
Time and Water is more than just an environmentally conscious film about the country's ecological future, although that is the underlying urgent messaging. Academy Award-nominated director Sara Dosa uses Andri's perspective to draw correlations to the notion of time, another priceless resource that slowly slips away every day. Using archival footage, including his grandparents’ photographs and films, and Icelandic folklore, Andri reflects on what it means to say goodbye to the things he never thought he could lose. His realizations are universally profound and incredibly powerful.
Director's Statement
"I make films about how humans seek meaning with the more‑than‑human natural world — often through explorations of allegory, metaphor, and myth. Central to this work is an inquiry into time: cultural temporalities, geologic scales, and seasonal rhythms that entangle human lives within the living systems around us, revealing our shared ecological kinships...
While themes of solastalgia (the emotional distress produced by environmental change) and grief run through the film, we intend it to land on a note of agentive uncertainty. The future is unwritten, and what we do now matters. Too much hope can lull us into complacency, while too much dread can convince us the future is already lost. Uncertainty, however, invites agency. It reminds us that our actions in this unstable present shape the world our loved ones will inherit." -Sara Dosa, director
Takeaway
Time and Water is a poetically haunting yet earnest observation of the human experience and the fragility of nature. In 200 years, will the name "Iceland", with its once-abundant natural aquatic resources, reference a ghost of the past, only existing in the memories of previous generations? Only time will tell.
'Borderline' Review: The Ultimate Rapid-Fire Dark Comedy
Filmmaker Johannes Vang creates the ultimate rapid-fire dark comedy with his film, Borderline. A perfectly crafted short story that feels within the Yorgos Lanthimos realm of absurdity, Borderline pokes fun at the legal "grey zones" within three Nordic countries. It turns out that crossing imaginary boundaries can lead to very real consequences.
Chaos at the Three-Country Cairn
In Borderline, a Norwegian customs officer (Øystein Martinsen), a Finnish fisherman (Sverre Porsanger), and a mysterious Swedish woman (Ayla Nutti) become entangled in a jurisdictional identity crisis. Various events lead the characters to the Three-Country Cairn, the physical meeting point of Norway, Sweden, and Finland. This also happens to be the border between their respective homelands. What follows is witty banter and logistical loopholes over laws, language, and identity bias, eventually giving way to a very unexpected outcome.
A Simple Yet Brilliant Premise
Borderline plays like the cinematic equivalent of Abbott and Costello's "Who's on First" joke. Its simple yet brilliant premise will have you smiling until the very last frame. Not only is the script smartly written, but the stellar casting really brings the story to life. The small yet mighty ensemble cast effortlessly strikes a delicate balance between comedy and tension. The actors come from the Sámi community and do an excellent job representing the indigenous people of the northern Scandinavian Peninsula. Another element that nails the execution is the stunning cinematography. Exclusively shot in the mountains amidst the lush greenery and a crystal clear lake, Borderline's atmosphere is both immersive and cleansing.
Director's Statement
"For too long, the history of Indigenous peoples has been written by others. As contemporary filmmakers, we have the vital opportunity to shift that perspective and reclaim our own voices. With Borderline, I wanted to move away from the "grim and sad" narratives that often define Indigenous cinema. While those stories are necessary to reflect a gruelling history, I believe it is equally important to tell our stories through the lens of comedy and absurdity.
My work is defined by a deep commitment to Sámi identity and language. Through Borderline, I hope to show that we can tackle important themes of belonging and society while still making the audience laugh." -Johannes Vang, director
Takeaway
Blending humor with indigenous diversity, Borderline is, by all accounts, the perfect short film. It will screen next at the Norwegian Short Film Festival, which runs June 10-14, 2026.
'The Messenger of Joy' Review: The Life & Legacy of an Iranian Icon
Art is subjective, but there is no denying the beauty and impact of Iranian artist Nasser Ovissi's works. Stunning depictions of women, usually with exaggerated, burdened eyes, are the centerpiece of his iconic style. His artwork acts as a window into the soul of Iranian identity, and the result is, no pun intended, eye-opening. Ovissi's extraordinary life story and groundbreaking works are all captured in the documentary The Messenger of Joy.
An Iranian Icon
Director Alexander Kwanje uses mixed media, including live action, animation, and archival footage, to bring Nasser Ovissi's story to life. The documentary includes sit-down interviews with Ovissi, his daughter, and his peers, who all offer insightful and intimate details about his personal and professional life. As a child, Ovissi speaks about the pressure his parents put on him to study law. But he knew art was his calling and made the brave decision to ignore his parents and pursue his passion. Ovissi's confidence in his artistic abilities eventually led to international acclaim, as his visionary work was among the first to blend Persian heritage and modern art. Other memorable moments include his collaboration with Salvador Dalí, the impact of the Iranian Revolution, and how a specific shade of blue, often considered "Ovaissi Blue," came to be.
Breathing Life into the Documentary Format
The Messenger of Joy, while incredibly informative, can come off as more educational than entertaining at times. In the documentary format, it's hard to avoid the talking-head interview style. This traditional shooting style, on its own, can lend itself to unimaginative storytelling. However, filmmaker Alexander Kwanje makes a point to immerse the audience in Ovissi's body of work, a crucial creative decision that keeps the film from feeling too stiff. Given its runtime of just over an hour, the film does a fine job of retaining our attention, thanks to the abundant showcase of Ovissi's vibrant art.
Takeaway
Nasser Ovissi is a fascinating character whose works transcend borders and generations. It's a joy to see his story told in The Messenger of Joy, and, hopefully, his legacy will encourage future artists to follow their dreams just as Ovissi did.
'After the Devil is Dead' Review: A Heartbroken Son Searches for the Truth
A son sets out to solve his mother's decades-old murder in the gripping true crime documentary, After the Devil is Dead. Only five years old at the time of his mother's death, Mike Lester leaves no stone unturned as he retraces the past with the insight and fortitude of a grown man. Mike's vulnerability allows filmmaker Paul Catalanotto to diligently shine light on this tragic tale, uncovering chilling answers to once-silenced questions.
A Heartbroken Son Searches for the Truth
The death of Edna Ann Muscarello Lester was always suspicious. In 1982, she was pulled from a house fire in New Orleans' Lower 9th Ward. Naturally, her cause of death was assumed to be fire-related. Upon closer examination, however, it was discovered that Edna also had stab wounds all over her body. This led investigators to the conclusion that the fire wasn't the cause of death, but rather the secondary incident intended to cover up her murder. Edna's son and the film's protagonist, Mike, was just a child at the time, but the memory of that moment still haunts him.
Using film as a format for processing these complex feelings, Mike embarks on a life-changing emotional journey in his quest for closure. Throughout the documentary, he confronts not only the trauma of his mother's mysterious death but also the abuse he suffered at the hands of his now estranged father, Russell Lester Sr. At first, Russell is the prime suspect in Edna's death, as Mike cites the rocky relationship between his parents. Unfortunately, Russell's profession as a police officer also complicates the likelihood of a conviction. Plus, his father proves to have an alibi during the time of Edna's death. However, Mike can't stop thinking that just because Russell didn't technically commit the crime, it doesn't mean he didn't orchestrate the murder behind the scenes. This train of thought consumes Mike. Eventually, through intimate conversations with family members and close friends, Mike's search for truth culminates in a bittersweet ending.
Indie Film Meets Investigative Journalism
Using archival documents, photos, and letters written by Edna herself, Mike does his best to piece together this long-standing cold case. Director Paul Catalanotto takes a very observational approach in capturing this story, letting the material speak for itself. The film runs long at 105 minutes, but every moment is full of new facts, Lester family lore, or never-before-spoken confessions. While it's all intriguing, the first half of the film primarily focuses on Mike's abusive childhood at the hands of his father. The film doesn't delve into the true crime component of Edna's murder until about 40 minutes in.
Director's Statement
"Mike and I first met in high school, though for years our only connection was the occasional message on Facebook. Knowing I worked in film, he reached out when A&E and CBS News 48 Hours showed interest in telling his story. At the time, he was unsure if he wanted to revisit such a painful chapter, and I encouraged him to consider it carefully. When those projects eventually fell through because his story did not fit neatly into the expected true crime mold, Mike came back to me. He wanted his story told not as a crime narrative, but as something deeper: a film about trauma, abuse, and ultimately, forgiveness.
I hesitated at first, fully aware of how emotionally difficult and time-consuming the project would be. In the end, I agreed. Over the course of making this film, Mike and I grew closer as friends, and I came to deeply respect the courage it takes to share such a story. I am grateful to have been part of it, and I hope the film not only honors Mike’s journey but also offers strength and solidarity to other survivors of abuse." - Paul Catalanotto, director
Takeaway
After the Devil is Dead is not only a compelling true crime documentary, but it also acts as a therapeutic experience for Mike. Solving the mystery of Edna's death, which was among the oldest unsolved murder cases in New Orleans, was the catalyst for Mike's search for the truth. Regardless of how this story ends, Mike's mission ultimately turns into making peace with the past. In that regard, it seems like he can consider his mission accomplished.
'Lost With You' Review: A Meet Cute in the Mountains
Two strangers find unexpected companionship and compassion in filmmaker Mike Southerly's romantic drama, Lost With You. The writer/director's meet-cute in the mountains is more than just a flirtatious development between two people. Southerly crafts a story that dares to delve into provocative topics, let alone engage in conversations that aren't typically discussed on a first date. An impressive debut feature film with a strong two-lead cast, Lost With You is an engaging, thought-provoking film that aims to expand one's mind as much as it entertains.
Between the Sunlight and a Stranger
Who are you when no one's watching? This is the essay prompt that Naomi (Madison Shamoun) finds herself staring blankly at. The stakes are high, as this paper will determine her upcoming educational pathway. Unfortunately for Naomi, she doesn't know how to answer this personal question. She has faith that a solo hike in the hills of LA will allow her to clear her head and get introspective. But before she can make it to mile one, she runs into a fellow solo hiker, Ethan (Jake Short). His easy-going demeanor allows Naomi to let her guard down, and the two embark on what is to be a life-changing afternoon stroll.
Their conversation spans from politics to family and faith, as Naomi and Ethan passionately engage in debates that ultimately expand each other's world views. From fiery personal beliefs to lighthearted jabs, their banter is both witty and smartly informed. As the evening approaches, their time together is nearing a close. Whether or not Naomi and Ethan will see one another again is purposefully left ambiguous. However, their relationship–whether it be temporary or long-lasting–proves that one's whole perspective can change in a day.
Los Angeles Plays Itself
Los Angeles plays itself in this romantic drama, using the improvisational spirit of the city as the perfect backdrop. Shot predominantly outside on various hiking trails, the cinematography is fantastically executed. These visuals contribute to the film's overall cohesion and mastery of craft. The songs, which I can only assume are original works, fit each transition perfectly. They act as a natural segway for scene advancement and provide another form of catchy entertainment. The only micro hitch is in the screenplay when Naomi reacts in shock from Ethan's confession that he hasn't seen either There's Something About Mary or The Wedding Singer. This, on its own, isn't the issue; yet it's only a few scenes later that we learn Naomi has apparently never heard of Rebel Without a Cause, and thinks it's the name of a band. To be more familiar with Adam Sandler than Marlon Brando isn't illegal, although it should be.
Takeaway
At a time when people are quick to dismiss one another for differing views and beliefs, Lost With You shows the beauty in not rushing to judgment. It strikes the right balance of representation without coming across as preachy or favoring one side over the other. On paper, Naomi and Ethan are polar opposites. Despite society's odds stacked against them, they prove that empathy and compassion are qualities strong enough to sustain any relationship.
'The Travel Companion' Review: The Cost of Friendship
Filmmaker Travis Wood uses his lived experience to bring a niche yet heartfelt story to life in the situational dramedy, The Travel Companion. A former “Travel Companion” himself, Travis and co-director/co-writer Alex Mallis blend the absurd with the awkward to craft a layered portrait of artistic ambition and outgrown friendships.
The Cost of Free Flights is Friendship
Simon (Tristan Turner) is a 30-something, still aspiring filmmaker who finds himself in a creative rut. He is years deep into a passion project–a wide-reaching documentary about humanity–which still lacks concrete direction, although he's confident that he'll find the story "in the edit". Simon feels his artistic merits slipping away, and is desperate to keep his creative spark alive. He finds emotional solace and a logistical safety net in his best friend and roommate, Bruce (Anthony Oberbeck). Not only is Bruce always ready to lend an empathetic ear, but he is also Simon’s gateway to otherwise out-of-reach production perks. Bruce works for an airline and gets a free “Travel Companion” pass, which Simon has frequently used to fulfill his international filmmaking needs.
However, once Bruce meets and falls in love with Beatrice (Naomi Asa), a fellow filmmaker, Simon feels the threat of her presence. He isn’t as fearful of losing his close relationship with Bruce as he is of losing out on Bruce’s travel perks. And although Simon knows he can’t stay Bruce’s “+1” forever, what ensues is an uncomfortable confrontation, stemming from jealousy, one-sided competitiveness, and the inherent fragility of their friendship.
Reaching a Breaking Point
With high-value production visuals, including exterior shots on the steps of Brooklyn brownstones and multiple airport interiors, The Travel Companion is an impressive indie feature. Leading the film is Tristan Turner, who nails Simon’s subtle personality shift from bright-eyed optimist to jealous overthinker. His insecurities grow increasingly frustrating as the film progresses, which is intentional character development. From a narrative standpoint, it is a bit curious why the conflict between Simon and Bruce isn't fully addressed until 60 minutes into a 90-minute film. Personally, I would have loved to see more time on the backend to work through Simon's complicated feelings of betrayal, as opposed to spending more time building up the tension before the breaking point.
Directors Statement
"They say over 50% of marriages end in divorce, and this statistic also holds true in co-directing. Lucky for us, our relationship has stood the test of multiple projects. After a series of shorts, it was a natural progression to co-direct a feature. The trust we’ve built together allowed us to share the burden of creative direction in really healthy ways. To have a partner, throughout the process, with whom to bounce ideas, find solutions, and tell jokes was a kind of ballast—keeping us steady when the process got chaotic or uncertain. We could take turns carrying the weight, and that made all the difference. The result is a film that reflects not just our shared sensibility, but the kind of creative resilience borne from deep collaboration.
This film has been a series of small miracles amounting to something we are incredibly proud of. Throughout writing and production, we had one rule, which was that above all, the process had to be fun. So many wonderful people worked very hard to bring this vision to life, and to them we are eternally grateful." – Alex Mallis & Travis Wood, directors
Takeaway
The Travel Companion embraces life's comedic and cringeworthy moments, making for a grounded, well-rounded watch. The film was also nominated for 'Best U.S. Narrative Feature' at the 2025 Tribeca Film Festival.
'On Guard' Review: A Fragile Ego Braces for Impact
The amount of pressure athletes put on themselves to perform at their optimal level is intense and incredibly personal. Those who struggle with self-esteem issues may find their insecurities exacerbated by any perceived shortcomings. It's hard not to take a loss personally when you have given it your all. In filmmaker Will Calkins' short film On Guard, the young protagonist fights to preserve her ego by inciting a rematch with her fiercest opponent.
Not So Friendly Competition
Jaime (Makenzie Pridgen) is a saber fencer who is having a hard time processing a recent loss. Her emotions run high as she takes her aggression out on a life-size mannequin, who absorbs her frustration and anger with every hit and cut of her fencing sword. She readies herself for a rematch with her biggest competition, Taylor (Sean Mikesh), whom she is preparing to meet for an after-hours duel. Once Taylor arrives, his demeanour makes it clear that he views this rematch as a bout of friendly competition. Jaime, however, doesn't plan on playing nice. For her, this high-intensity moment is her shot at redemption, and the stakes have never been higher.
The Adage "Write What You Know" Proves Successful
Writer/director Will Calkins captures the nuanced themes of competitiveness and dedication in this pressurized sports drama. A former saber fencer himself, he knows how to highlight the intricate details of the sport to bring this story to life. The shrill frequency of the buzzer, the dark and moody atmosphere of the gym, and the misplaced self-hatred when losing are all key elements. The fencing sequences are electrifying; authenticity radiates from both actors, who spent months choreographing and training for their roles. Keeping in line with other great sports films is the energetic score by composer Brandon Cericola. The abundance of strings and up-tempo cadence perfectly encapsulates this emotionally tense situation.
Director's Statement
"I was a saber fencer for almost ten years, and On Guard was my way to express how I felt about being an athlete. In fencing and all solo sports, everything rides on you. You don’t have any team that can support you or drag you down. And during these tournaments, dozens to 250 kids will show up, and every single one of them will go home a loser except for one. That can be a lot of weight to carry, especially for someone who isn’t naturally well-balanced mentally.
Jaime is a character that I relate a lot to, not because I would ever intentionally hurt someone over a game, but because I put a lot of pressure on myself over my performance in that sport, and I attached an unhealthy sense of self to it. I think a lot of athletes can relate to that chase, and what I eventually learned was that there was no distance I could go or goal I could achieve that would be “enough.” And I think that’s something a lot of artists can relate to as well when they’re creating. It’s a lesson I will continue learning for a long time." -Will Calkins, director
Takeaway
Countless athletes, both present and former, will likely find many moments of relatability in On Guard. This complex character portrait was recently screened at the 2026 RiverRun International Film Festival.
'A Life on Our Planet' Review: We Need To Listen to David Attenborough
One of my most treasured items of clothing is a thin white t-shirt with the name "Sir David Attenborough" in all caps plastered across the chest. I bought it second-hand from a sustainable fashion brand, something I think Sir Attenborough would approve of. Not only is this shirt one of the softest tops I've ever worn (and a casual flex for fellow nature film nerds), but it is a statement that says I love our planet, I believe in science, and when a worldwide hero and qualified leader tells us we're in trouble, I listen.
"We're not apart from nature, but a part of it."
His voice is iconic. His message is clear: climate change is ruining our beautiful planet. 94-year-old David Attenborough has dedicated his entire life to studying and protecting the natural world, and he describes many life-changing moments in the Netflix documentary A Life on Our Planet, directed by Alastair Fothergill and Jonathan Hughes. The places he visited as a young twenty-something that were once teeming with lush jungles, ice-capped mountains, and free-roaming wildlife have become more skeletal every day. This visibly drastic difference is enough to bring a grown man, and definitely a 30-something film critic, to tears.
If seeing the distress on the faces of the displaced chimpanzees or the horrid conditions of factory-farmed chickens doesn't convince you to think twice about our role on this planet, then maybe Attenborough's desperate pleas will. "We're not apart from nature, but a part of it," or "We need more than intelligence, we need wisdom." But it's not all doom and gloom; Sir David Attenborough is confident that by following his calls to action, we can slow, stop, and then reverse the damage we're doing to our planet. We can start by choosing solar over fossil fuel, reducing farm space to let the natural land grow, and incorporating more plant-based meals into our diets.
Takeaway
Attenborough attests that this film is his witness statement and vision for the future. We are so lucky to have him exist in our lifetime and share his knowledge with us. Increased awareness of climate change and sustainability will hopefully inspire future Attenboroughs, so let's do our part to cultivate an environment for them to thrive and carry on the message of our planet's hero.
This review originally ran on October 8, 2020.
'Villa 187' Review: Home is Where the Heart Is
What does "home" mean to you? Is it a place, or is it a feeling? Sudanese filmmaker Eiman Mirghani searches for meaning in her personal short film, Villa 187. Using voice notes and family archival material from childhood to the present day, Eiman constructs a visual tapestry of memories.
Embracing the Warm Wave of Nostalgia
"Nothing stays forever," Eiman's father says in a voice note. His delivery is rather blunt, but honest. Its impact is bittersweet, as it comes on the heels of his job loss and subsequent dislodgement from their home. Eiman and her family, who called the quaint villa in Qatar home for over three decades, are now faced with an uncertain reality. As Eiman packs up her life, she rummages through old photos and VHS tapes of family gatherings and events. A flood of memories rushes in; the nostalgia is a warm and welcome feeling. However, anxiety about the future is looming. Through candid voice notes, Eiman's father does his best to reassure her that everything will be okay. But reading between the lines, it sounds like he is trying to reassure himself, too.
Director's Statement
"The day I learned our family visa was canceled, my brain spun with questions I’d never really sat with before. Questions about duty, identity, and what makes a place more than just four walls. My dad losing his job was the spark, but the fire was realizing I didn’t know how to define “home.” That’s why I picked up the camera: to catch this strange mix of grief, nostalgia, and curiosity before it slipped away. It’s been a while since that day, but the urge to share this canon moment hasn’t left me. I know I’m not the only one who’s had to pack up their life in a box and wonder where they belong." -Eiman Mirghani, director
Takeaway
Running eight minutes long, Villa 187 is a beautiful portrait of self-reflection. Its message of embracing life's in-between moments is a universal one, and its delivery is deeply impactful. Villa 187 made its International Premiere at the San Francisco International Film Festival.
'Before The Moon Falls' Review: A Tribute to a Tortured Genius
The tragic story of a famous Samoan poet ends in heartbreak in the documentary Before the Moon Falls. Director Kimberlee Bassford's poignant portrait of a tortured genius is a stunning case study of the cinematic art form. Kimberlee not only draws attention to this acclaimed writer but also showcases the reality of documentary filmmaking when your subject is mentally unstable. Before the Moon Falls is a bittersweet but ultimately fascinating story of how one woman went from a promising artist to a prisoner.
To See the Beauty of Life, One Must Understand Suffering
The film centers around Sia Figiel, a groundbreaking author and poet. Sia is universally celebrated for giving a voice to the struggles of Samoan girls and women. Her status in the community was Kimberlee's initial inspiration to shed light on Sia's story. However, no one could have predicted what was to come. For eight years, Kimberlee follows Sia on her unconventional life journey from literary stardom to a diagnosis of depression and bipolar disorder. Sia's complex mental illness, which lay dormant for years, begins to rev up with a vengeance. She abandons her children, flees town, and ends up in the hospital after an overdose. Her struggles are intense, but her determination to overcome them is stronger.
For a while, it seems like the worst is behind them. Sia sits down with Kimberlee at what is supposed to be their last interview. She radiates hope and positivity; all indications point to this tumultuous story having a "Happily Ever After" Hollywood ending. But that's not what ends up happening.
As the documentary is nearing completion, Kimberlee receives a shocking message that Sia has been arrested over the death of a dear friend, Caroline Sinavaiana-Gabbard. Gabbard makes an appearance earlier in the film, which allows the audience to become familiar with her. This revelation throws Kimberlee and her film into disarray. What was intended to be a story arc of redemption and recovery instead becomes a tragedy. Using this news, Kimberlee breaks the fourth wall by appearing in the last ten minutes of the film. She records phone calls with Sia from prison, as well as video interviews with doctors who break down Sia's bipolar condition. Kimberlee, like her audience, is now trying to make sense of what happened.
A Near Decade-Long Production Comes to a Devastating End
After following Sia for nearly a decade, it would be easy for Kimberlee to show an empathetic bias toward her story. After all, this film was intended to end on a positive note. But Kimberlee never lets her personal feelings get in the way of the truth. As a journalist and documentary filmmaker for 20 years, she lays bare the ugly reality of mental illness. Intimate footage and conversations built on years of mutual trust make the whole viewing experience extremely personal. Sia has her flaws, but we never stop rooting for her recovery.
Director's Statement
"Mental illness cuts across cultural, political, educational, and socioeconomic lines. Around the world, communities are grappling with the impacts of mental illness in their streets, workplaces, schools, hospitals, and prisons. Moreover, mental illness doesn’t just impact individuals but their families and entire communities. Yet there is little understanding of the scope and diverse experiences of mental illness and little consensus of how to treat people who suffer from it. Sia’s story is just one woman’s story. It cannot represent everything about mental illness nor should it. But it can humanize mental illness and spark discussions of how we can better address it in our families and communities. While Sia’s story has a tragic ending, my hope is that by seeing her story, others whose lives are touched by mental illness will have better outcomes." - Kimberlee Bassford, director
Takeaway
Winner of the Grand Jury Prize at the Festival International du Film Documentaire Oceanien in Tahiti, Before the Moon Falls is essential viewing. A riveting, powerful watch from start to finish.