‘The Turtle’ Review: A Vehicle for Self-Reflection
Its modest production carries with it a plethora of meaty conflicts and conversational touch points.
Vulnerability is the one of the bedrocks of any solid relationship. When that foundation of trust is fractured in any way, the fallout can feel isolating. In filmmaker Joe Bongiovanni’s short film The Turtle, one couple tests the limits of their partnership by pushing the boundaries of their emotional and physical connection.
When Reassurance Turns into Resentment
Tony is a blue-collar employee who desperately needs time to decompress after work. His wife, Barbara, finds it difficult to give him the space he is asking for. Her constant interruptions aren’t out of spite, but rather her need for reassurance. We’re not wrong to assume that this pattern has become something of a habit for Barbara, but Tony is at his breaking point. The film begins late one night; Tony is on the couch and attempting to lose himself in an acting project. It’s clear that he has ambitions other than his day job. Meanwhile, Barbara’s repeated attempts at connection continuously come up short. While her sentiment is loving, her timing is off. What follows is a multi-layered conflict that unveils this couples’ deeper, darker dynamics.
A Vehicle for Self-Reflection
In addition to starring, Richard-John Seikaly produces this tense relationship drama, which touches on themes of emasculation, emotional conflict, and vulnerability. Shot in a single location and set over the course of one night, The Turtle‘s modest production contains a plethora of meaty conflicts and conversational touch points. It also acts as a vehicle for self-reflection. The character-driven narrative is led by strong performances from Seikaly and Emma Griffin. Their chemistry, as well as their heavy New York accents, are both pitch perfect.
Director’s Statement
“Being a combat veteran of Afghanistan, a big push for my filmmaking has been a part of my recovery process. The Turtle is one of many films exploring my deinstitutionalization process of conforming back to becoming human. I was propelled into the civilian sector with this obligation of having to uphold a sheet of armor, economically, spiritually, and emotionally. There were times when I pushed myself to be heard, to communicate openly everything I felt, but when my ex-wife spoke to me and tried to reach me, my thoughts would burn and my body would weigh heavy with steel. I drank alcohol, threw the covers over myself, and dived headfirst into the world of acting.
I found my escape. My shell.
The Turtle is about unveiling the inner vulnerabilities we tend to hide in relationships due to social constructs. The bottling of feelings can cause isolation, depression, and a desire to be heard. This short seeks to pull the cork, take off the shell, reveal the “mush”, in a sense, and shed light on the strength and healing power of vulnerability.” – Joe Bongiovanni
Takeaway
The Turtle serves as an intimate and reflective work that explores the many emotional complexities within modern relationships. It proves that, sometimes, the most empowering thing one can do is to ask for help. The Turtle has been selected to the 2026 LA Shorts International Film Festival.
Morgan Rojas
Certified fresh. For disclosure purposes, Morgan currently runs PR at PRETTYBIRD and Ventureland.


