Grief takes shape in many forms. It’s not always linear or rational, but no matter the expression, it’s always earnest. This delicate emotional state drives filmmaker Jack Serra‘s short film, Generation Well. Using one woman’s grief as a vehicle for self-discovery, Generation Well is a touching story about persevering through difficult times.

Chasing Relief Through the Fog of Grief

A pregnant woman sits in the back of a police car, speeding down the interstate towards the station. Bruised and clearly shaken up, Stevie (Carly Tatiana Pandza) arrives at the police station ready for booking. Her charges are unclear at this time, but it’s obvious that she is under the influence, and that this is not her first run-in with law enforcement. Stevie makes eye contact with one of the officers, Thomas Hernandez (Corey Landis), and is immediately struck by his resemblance to her late father. This coincidence sends Stevie into a full-blown spiral and leads her down a road of unhealthy obsession.

Upon returning home, Stevie’s husband, Gale (Mario Silva), frustratingly reminds her that her relapse is the reason he is leaving. This news shatters an already fragile Stevie, who reacts in a very unusual manner: tracking down Officer Hernandez. His familiar face brings comfort, and that is exactly what she is seeking at this moment. However, this action quickly turns into an obsession, which culminates in a dramatic final scene.

Leaning into the Discomfort

Generation Well is a slow-burning drama that confronts some heavy human experiences. Stevie’s struggle with substance abuse, combined with family trauma and pregnancy, makes for sympathetic viewing. Bringing the central character to life is Carly Tatiana Pandza, who puts on a phenomenal and artfully controlled performance. In addition to Pandza’s acting ability, the tiny micro-movements and restraint in both the script and cinematography create a layered tension. Filmmaker Jack Serra leans into the discomfort and encourages viewers to do the same.

Takeaway

Says Serra, “After losing my father early last year, I became interested in the concept of finality and what someone might do to be in the presence of a deceased loved one again. With this film, I aim to explore the gray area between love and longing, while also focusing on the concept of generational trauma through the lens of addiction.” The film made its World Premiere this summer during the 2025 LA Shorts International Film Festival.