Review: ‘Only Lovers Left Alive’
Jim Jarmusch's newest film remixes Detroit-rocker cool with the undead in this modern-age vampire flick.
Review: ‘Cuban Fury’
A feel good movie with much needed comedy veterans, but ultimately, Cuban Fury plays too safe to be a memorable comedy.
Review: ‘Under the Skin’
A daring meditation that features a hypnotic Scarlett Johansson photographed by an immaculate Jonathan Glazer.
Review: ‘The Unknown Known’
At once engaging, but the former secretary of defense proves too slippery a figure to recount the controversies of recent history or to tell his own story.
Review: ‘Dom Hemingway’
Jude Law boasts and barrels his way through this manic, if messy, Cockney crime comedy.
Review: ‘Campaign of Hate: Russia and Gay Propaganda’
LGBT men and women recall stories of growing up in homophobic Russia, where they risk family relationships, jobs and their lives to be themselves.
Review: ‘The Raid 2’
A hyper-violent action blitz where limbs snap in every possible direction, The Raid 2 will show you just how good an action movie can be.
Review: ‘Rob the Mob’
A more than serviceable effort that adds its own flavor and fun to the romantic crime drama genre.
Review: ‘Breathe In’
Even with an "A List" cast, this tepid story of forbidden love is forgettable among other festival films.
Review: ‘Just a Sigh’
Its Francis Ha-esque characteristics do make for enjoyable moments, subtle humor is sprinkled throughout, but it's not quite enough to overcome a weak script.
Review: ‘Enemy’
Gyllenhaal is incredible in the film, and does an absurdly fantastic job of creating two unique personalities between his two characters.
Review: ‘Leave The World Behind’
For fans of Swedish House Mafia, the film will satisfy all senses, serving as a cinematic escape for the eyes and the ears.
Review: ‘Kids For Cash’
It seems like a scenario straight out of a Lifetime movie, but to the residents of Luzerne County, PA, the "Kids for Cash" scandal was all too real.
Review: ‘Art Machine’
This watered down "Fight Club"-meets-art school paints all too much by the numbers.
Review: ‘The Square’
The camera gets so close to bullets & blood in this Oscar nominated documentary, we feel as if we're in the middle of the revolution too.
