Review: ‘The Pretty One’

When her twin dies, Laurel (Zoe Kazan) has the chance to re-invent herself, but at what cost?

Review: ‘At Middleton’

This day-in-the-park comedy treads on storybook sequencing for a fair but middling experience.

Review: ‘Like Father, Like Son’

In acclaimed director Kore-eda Hirokazu’s poignant family drama, two families discover the son they’re raising is not biologically theirs.

Review: ‘The Wolf of Wall Street’

Sex, drugs, and cold hard cash is the recipe for success in Scorsese's latest, a hilariously raunchy film just in time for Christmas.

Of Course Meryl Streep is a Volatile Wonder in ‘August: Osage County’

Meryl Streep works a miracle with her role (again) in this ensemble family comedy/drama.

Review: ‘Wrong Cops’

It's the type of film you'd expect to see on the after hours drug-laced TV channel "Adult Swim," but with more traditional odes to its B-rated grindhouse genre.

Review: ‘Her’

With Spike Jonze's first self-written feature credit, the director makes his most personal, and most beautiful, movie yet.

Review: ‘Narco Cultura’

If you can get past all the blood and dead bodies, "Narco Cultura" is one of the most eye-opening and critically disturbing films of 2013.

Review: ‘Inside Llewyn Davis’

An intimate parable of a misfortuned Greenwich Village folkster, beautifully sewn with exacted vision.

Review: ‘Neighboring Sounds’

A visual throwback to the films of the 1970s, Neighboring Sounds does offer originality in its story and overall vibe.

Review: ‘Mandela: Long Walk to Freedom’

Even if you've heard the story before, "Mandela" is not just another biopic; it's a vivid, emotional film about one of history's most famous men.

Review: ‘The Punk Singer’

'The Punk Singer' explores the life of the original Riot grrrl and it-girl of the 90s, Kathleen Hanna.

Review: ‘Homefront’

One of Jason Statham's muscliest movies yet is obvious, mild entertainment.

Review: ‘Nebraska’

A beautiful, solid performance from veteran actor Bruce Dern in Alexander Payne's quirky, yet captivating film 'Nebraska'.

Review: ‘Charlie Countryman’

The film should be applauded for its strong aesthetic, although it may be too focused on style and not enough on substance.

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