Review: ‘Begin Again’
Begin Again largely avoids most music film cliches, and music purists will love everything about the way Knightley's career and album comes of age through the film.
Review: ‘They Came Together’
In what might be the most logical follow up to 'Wet Hot American Summer,' director David Wain returns to his unique and absurdist roots to deliver this hilarious spoof on the romantic comedy.
Review: ‘Nothing Bad Can Happen’
Nothing Bad Can Happen is a killer, non-stop, cringe-worthy slice of brilliance.
Review: ‘Code Black’
One of the most unapologetic, high-energy documentaries to grace the screen this year comes from doctor-turned-director Ryan McGarry.
Review: ‘Yves Saint Laurent’
Despite its flaws, Yves Saint Laurent is a satisfying film on a purely visual level, a stimulating homage to one of fashion's most iconic designers.
‘Snowpiercer’ Combines Sci-Fi Expanse and Art House Intimacy
Bong Joon Ho adapts the post-apocalyptic French graphic novel with ambitious fervor.
Review: ‘Hanna Ranch’
This small eco-documentary balances the fine line between authentic family drama and environmental-awareness film.
Review: ’22 Jump Street’
The bigger buddy-cop sequel delivers well by spoofing the sequel sub-genre itself, while keeping the focus on Hill and Tatum.
Review: ‘The Moment’
This captivating and contemplative film unravels a mysterious journey for the main character into the truth of her current circumstances, played thoughtfully and coolly by Jennifer Jason Leigh.
Review: ‘Whitey: United States of America v. James J. Bulger’
He thought of himself as a modern day Robin Hood, yet notorious mob leader Whitey Bulger was no hero.
Review: ‘A Coffee In Berlin’
It appeals to all those who once felt lost and have pondered life's bigger meaning, as well as those who understand the importance of a good cup of coffee.
Review: ‘Third Person’
Lead by an obsessively creative director and a cast of quality A-List actors, Third Person is a rich and rewarding cinematic experience.
Review: ‘The Sacrament’
Ti West offers an ambitious and unnerving pseudo-documentary that takes its inspiration from the real-life horror of the Jonestown Massacre.
Review: ‘Supermensch: The Legend of Shep Gordon’
Shep Gordon is probably one of the most legendary men in Hollywood that you've never heard of.
Review: ‘We Are The Best!’
Three girls band together to express their teenage angst and teach everyone a lesson: Punk's not dead.
