The world of musical theater is full of such laughably pretentious pomp and over-the-top circumstances that it makes itself quite an easy target to parody. Who would be better to satirize this insular and absurd world than theater kids themselves?

Turning their 2020 short film of the same name into a feature-length film, Ben Platt and Molly Gordon star as insufferably artsy camp counselors overseeing the production of an original musical in the new comedy, Theater Camp. Directed by Gordon and Nick Lieberman, Theater Camp uses the mockumentary format to satirize the world of theater and its extremely passionate performers.

It’s the start of another summer, and eager young campers and budding Broadway hopefuls merrily sing show tunes as they bus it to upstate New York, en route to their beloved haven for thespians: the “AdirondACTS” theater camp. This year, however, will be different: the camp’s idolized leader, Joan Rubinsky (Amy Sedaris), has fallen into a coma (which the film sets up as a humorous plot point). Taking over is her “crypto-bro” son, Troy (Jimmy Tatro), who must keep the musical theater paradise of which he knows nothing about running. With his bro vibes, he soon learns that the camp is in a dire financial situation. With no experience and fewer brain cells, it’s up to him to secretly find a way to keep the camp afloat.

Meanwhile, head counselors Amos Klobuchar (Ben Platt) and Rebecca-Diane (Molly Gordon) are tasked with writing and directing an original musical theater production (one that will be a life’s tribute to their unconscious icon). What follows is a series of sketches, skits, and bits that poke fun at the entire process of putting on a show. Auditioning, songwriting, acting exercises, stunt training, rehearsal, and finally, the opening night performance is not spared from spoofing.

Written by Gordon, Lieberman, and Noah Galvin (Platt’s real-life partner), Theater Camp, is a light, silly, altogether enjoyable watch that will surely delight theater kid obsessives (but might not connect with those who aren’t as invested in the inner world). The mockumentary nature allows for a loose and (likely) highly improvised nature. Platt, Gordon, and Galvin (who plays a stage manager yearning for the spotlight) create an easy chemistry together. However, after a little while, the tone of the humor does become a little one-note. When every character modulates at the same level of sarcasm, it can start to feel a bit excessive.

The film’s liberal use of title cards breaks up the story and adds a very funny component. Popping up constantly throughout the film, they clearly hold no bearing in reality and are written just for laughs. The cinematography also serves the film well, adding an interesting layer. This look could have easily been a digitally-shot affair, with obvious zoom-ins and outs capturing everything But instead, it opts for a “shot on film” look, complete with grainy textures, which evokes a fun throwback feel (but also inadvertently made me forget what time it’s supposed to take place in).

I didn’t have overwhelmingly high expectations going in, and Theater Camp exceeded those, being much funnier than I thought it would be. The film is produced by Gloria Sanchez Productions, the sister label production company of Will Ferrell and Adam McKay’s Gary Sanchez Productions, with a focus on female voices in comedy.

This review originally ran on January 27, 2023, during the Sundance Film Festival.

1h 34m. Distributed by Searchlight Pictures. Opening in theaters Friday, July 14, 2023.