Runtime1h 31mGenreHistory, ThrillerDirected byTim FehlbaumWritten byMoritz Binder, Alex David, Tim FehlbaumStarringPeter Sarsgaard, John Magaro, Ben ChaplinDistributed byParamount PicturesRelease DateIn select theaters Nov. 27, Nationwide in December
‘September 5’ Review: Reliving an Olympic Nightmare
September 5 takes audiences into the control room of ABC studios on the fateful day that changed live broadcasting forever.
A retelling of the horrific events that claimed the lives of eleven Israeli athletes during the 1972 Munich Olympics, September 5 is an adrenaline-inducing thriller that feels eerily relevant given today’s political turmoil. Directed by Tim Fehlbaum, September 5 was among the highlighted titles at AFI FEST. The film made its World Premiere at the Venice Film Festival where it was nominated for, but ultimately lost, the Audience Award. September 5 is being distributed by Paramount with a limited release date scheduled for November 27, before a nationwide release later in December.
What Happens
Starring Peter Sarsgaard and John Magaro, September 5 takes audiences into the control room of ABC studios on the fateful day that changed live broadcasting forever. It was supposed to be just a typical morning for the ABC sports crew who were gearing up for another 12+ hours of covering the Olympics. However, everything changed when the newly hired German interpreter, Gladys Deist (Georgina Rich), deciphers through chaotic messages, that several Israeli athletes and coaches were taken hostage.
Eight members of the Palestinian militant organization, Black September, infiltrated the Olympic Village in a highly orchestrated attack targeted toward Israeli athletes. In the blink of an eye, the ABC crew abandoned their typical sports broadcasting routine and transformed into an impromptu breaking news station, led by Geoffrey Mason (Magaro) and Roone Arledge (Sarsgaard).
Takeaway
September 5 relies heavily on incorporating archival footage from the station’s actual 1972 broadcast. It is both stunning and heartbreaking to relive these moments, knowing full well that these events changed the course of history. To that end, part of me believes that September 5 would have been even stronger as a documentary film, as opposed to a “Hollywood-ified” historical thriller. Director Tim Fehlbaum’s control-room drama feels a bit too slick at times, with characters effortlessly getting from point A to point B without much struggle (I highly doubt the individuals who actually worked the newsroom that day had a similar experience). However, September 5 keeps an energetic pace throughout and is an easy film to get caught up in for an hour and a half.
