Review: ‘Wrong Cops’

It's the type of film you'd expect to see on the after hours drug-laced TV channel "Adult Swim," but with more traditional odes to its B-rated grindhouse genre.

By Morgan Rojas|December 19, 2013

Leave it to Quentin Dupieux to bring together dubstep and comedy to create a film so off the beaten path, it feels more “performance art” than “arthouse.” In Dupieux’s latest low-budget sideshow film Wrong Cops, the French auteurist  combines further elements, with an ensemble cast of seasoned comedians and one gothic rock star that gives the film a special seasoning of the absurd. Though it is immediately easy to pick up on the film’s humorous tone, it takes a bit longer to acclimate to its weirdness. Though when both are combined, the result is another  bonkers Dupieux classic.The film centers on a group of cops that are greedy, corrupt, and childish. Officer Duke (Mark Burnham) is the ringleader of the force, and whose problems are far worse than that of his colleagues’. Making side money by selling pot-stuffed dead rats to kids (the rats are meant to be inconspicuous), abusing brace-faced high school nerd David Delores Frank (Marilyn Manson), and accidentally shooting his neighbor (Daniel Quinn) in the neck are but a few of the  crackpot events that make this character so deliciously weird.

The further offering of just as insane law enforcement characters goes on from there. Officer Renato (Eric Wareheim) tells women to show their breasts at gunpoint. Officer Shirley (Arden Myrin) blackmails Officer Sunshine (Steve Little) for $13,000, with the threat of surfacing a gay porn magazine featuring Sunshine. Then there’s Officer Rough (Eric Judor), a one-eyed Frenchman looking to make his big break as an electronic musician.
Wrong Cops is the type of film you might expect to see playing on the after hours drug-laced TV channel “Adult Swim,” but with more traditional odes to its B-rated grindhouse genre
Wrong Cops is the type of film you might expect to see playing on the after hours drug-laced TV channel “Adult Swim,” but with more traditional odes to its B-rated grindhouse genre, it finds a good home as a midnight theater movie. There is no linear story, so to speak; no classic beginning, middle or end. It just picks up on one day in the life of these Wrong cops and ends with a dance party.

Quentin Dupieux was a busy man on the set. Not only did he write and direct the feature, he also produced it and (once again) provided the original score under his Electronica-DJ’ing music alias Mr. Oizo. Before turning his career as director Dupieux was a big name in the French electronic music scene and is still very much active with the moniker today. The synth-gone-mad score here successfully influences the tone of Wrong Cops, felt right down to its hipster soaked dialogue and its overall composition.

After premiering at Sundance earlier this year, IFC Midnight picked up Wrong Cops and scheduled its theatrical release for December 20th. While it’s certainly not a traditional holiday movie to watch with the family, its timely release and cult impressions could make for one  very unforgettable, and one very Wrong, Christmas experience nonetheless.

Morgan Rojas

Certified fresh. For disclosure purposes, Morgan currently runs PR at PRETTYBIRD and Ventureland.