‘Saint Frances’ Review: A Realistic Look at Female Empowerment

An excellent reminder that everyone's life path is different.

By Morgan Rojas|March 6, 2020

In the first quarter of the 2020 film season, there have already been a handful of films that have commented on the complicated topic of abortion and the residual emotional turmoil that follows.

PrematureNever Rarely Sometimes Always, and Saint Frances are, individually, compelling stories about three women’s particular journeys. But together, they act as a socio and political cinematic revolution. The taboo surrounding abortion is becoming lessened, and films like these are opening up the conversation for women to feel safe and, more importantly, seen. Screenwriter and actor Kelly O’Sullivan vulnerably shares her experience and life story in the indie darling Saint Frances, in theaters today.

O’Sullivan plays Bridget, a 34-year-old woman who finds herself stuck. Her current relationship with a younger man (who is emotionally mature) provides some sense of security, but her new job as a nanny proves more difficult than expected. Bridget doesn’t have the maternal gene, and acting as a guardian to the outspoken and mischievous six-year-old Frances (Ramona Edith-Williams) is challenging. Her frustration and desperation reach their peak when Bridget finds out that she’s pregnant, and decides that an abortion is the right decision for her. As we all know, “right” doesn’t necessarily mean “easy,” and as Bridget struggles to make sense of her situation, she finds compassion, acceptance, and love through her growing friendship with Ramona.

Director Alex Thompson and Kelly O’Sullivan have collaborated seamlessly to create a powerful portrait of a young woman’s struggle without making her the victim of her own life. We empathize with Bridget’s situation and are amazed by her strength and conviction to keep going. Replaying her past onscreen must’ve been a delicate and cathartic journey, and O’Sullivan nails the part of Bridget perfectly. Not to be overlooked is firecracker Ramona Edith-Williams, whose performance can only be described as a revolution.

Saint Frances is an excellent reminder that everyone’s path is different. Societal expectations shouldn’t define your own life choices. Bridget made a decision that was right for Bridget, and we should all remember that when it comes to our own lives.

Morgan Rojas

Certified fresh. For disclosure purposes, Morgan currently runs PR at PRETTYBIRD and Ventureland.