It’s worth paying attention when director Miranda July gives her stamp of approval to an up-and-coming filmmaker. “From the very first scene my heart started to pound with that feeling of discovery,” says July. “A brand new, totally modern, cinematic voice!” And who is the recipient of such praise? Argentinian artist Amalia Ulman and her new film, El Planeta.

A dark comedy like Kajillionaire.

Coincidentally, El Planeta is a dark comedy that feels like a step-sister to July’s own Kajillionaire. Similarly, it explores the mother-daughter dynamic set against awkward hijinks and expectation hangovers.

El Planeta takes place amidst the devastation of Spain’s economic crisis. After the passing of her father, amateur fashion stylist Leonor (Ulman) reunites with her eccentric and unemployed mother María (played by Amalia’s real-life mom, Ale Ulman). Together, the duo work through life’s mundane ups and downs. They bluff and grift their way to fund their superficially extravagant lifestyle, debt and inevitable eviction always looming.

Related: ‘Kajillionaire’ Review: A Family of Scammers Long For Connection

An impressive debut film.

El Planeta is Amalia’s debut feature film. Its premiere at the 2021 Sundance Film Festival put Amalia and her feature on track for success, albeit, predominately in the arthouse world.

Static shots and long one takes make this mumblecore darling feel like a filmed staged play, however, it never feels slighted by its simplicity. The characters make every scene come alive, which can be attributed to the film’s dry comedic center. Lines like, “If I keep eating carbs I’m going to have a poor person’s body” are delivered in a perfect deadpan tone.

An indie gem waiting to be discovered.

There isn’t much of a plot to talk about, though. In fact, one could argue that there is really no “point” to the film. El Planeta feels very much like a cathartic personal expression for Amalia as many of the saddening events that occur in the film are based on her own life with her mother, which includes suffering homelessness and hunger.

However, El Planeta is not an autobiography. The genuineness and authenticity of Amalia’s script and vision give the film its depth and purpose. Ultimately, I’m with Miranda July on this one. El Planeta and Amalia Ulman are indie gems just waiting to be discovered.

Distributed by Utopia, currently playing at Landmark Westwood. Available on VOD this Friday, 10/8.