With a script that Aaron Sorkin would tip his hat, 'The Way We Speak' is a stimulating drama about words and their consequences.

'Kim's Video' starts as an archival documentary before becoming one cinephile's quest to recover a lost collection of over 55,000 rare videos.

'The War Between' stands as a testament to camaraderie in the face of hardship, proving that unity, not division, is the only way through.

In 'Simón,' based on true events, an asylum-seeker is forced to decide if the safety of the U.S. outweighs the guilt of leaving Venezuela.

'The Greatest Hits' proves that with the right song, nostalgia and heartbreak can become the start of a beautiful new story.

Sydney Sweeney proves that she has the range–and the vocal strength–to carry a horror film and watching her slowly spiral is sinfully sadistic.

Set in Bulgaria with no script and non-actors, 'The Black Sea' is a cheeky low-fi drama about making big dreams happen in little places.

Ryuichi Sakamoto's final performance lives forever in OPUS, a feature-length, career-spanning concerto directed by his son, Neo Sora.