Review: ‘Venus In Fur’

Polanski adapts his third stage play for the big screen, this time featuring just two actors and a single location.

Review: ‘Life Itself’

The life and times of legendary film journalist Roger Ebert is beautifully captured in Life Itself, giving audiences everywhere a chance to say one final farewell.

Review: ‘Under the Electric Sky’

The documentary of Electric Daisy Carnival focuses on the many types of ravers who go to the festival to see DJ acts like AVICII.

Review: ‘Violette’

For those interested history, the roots of feminism, or who just want to enjoy an expertly crafted film, Violette is not to be missed.

Review: ‘Begin Again’

Begin Again largely avoids most music film cliches, and music purists will love everything about the way Knightley's career and album comes of age through the film.

Review: ‘They Came Together’

In what might be the most logical follow up to 'Wet Hot American Summer,' director David Wain returns to his unique and absurdist roots to deliver this hilarious spoof on the romantic comedy.

Review: ‘Nothing Bad Can Happen’

Nothing Bad Can Happen is a killer, non-stop, cringe-worthy slice of brilliance.

Review: ‘Code Black’

One of the most unapologetic, high-energy documentaries to grace the screen this year comes from doctor-turned-director Ryan McGarry.