Based on the true story of when former U.S. war veteran Brian Brown-Easley held a bank hostage after being denied his disability pay from the VA, Breaking (formerly 892) is a suspenseful thriller that also shines a poignant light on the injustices that veterans still suffer in our country today.

Directed by Abi Damaris Corbin from a script she wrote with Kwame Kwei-Armah (based on this article), Breaking combines the best of big-screen movie-making with more emotional, human storytelling. I’ve seen and enjoyed Hollywood’s exciting hostage standoffs before, but knowing that this story was based on a real event makes the film resonate a little differently while watching.

In the lead role, John Boyega plays the aforementioned Brian, a former U.S. Marine who now collects disability payments just to get by–which he’s barely doing. He makes long walks to his low-income motel where he stays, and his only relief is talking with his daughter on the phone every night (but even that gets cut off). When a processing error from the VA denies Brian’s latest disability payment, he’s threatened with becoming homeless, and he’s finally pushed to the brink.

The next day, Brian calmly walks into a local Wells Fargo bank in Atlanta and, after politely interacting with the bank teller, calmly informs her that he has a bomb in his backpack. Here, the story is set on its suspenseful course. But something’s different about this holdup. Brian lets most of the people in the bank go right away, and calmly requests his demands: to speak to a hostage negotiator and have his story televised by the local news outlets.

We find that Brian is a man who, although incredibly conflicted, still has a good heart. It’s clear he doesn’t intend to do harm to anyone, including his two hostages, Estel Valerie (Nicole Beharie) and Rosa Diaz (Selenis Leyva). He apologizes repeatedly to them for the situation he’s put them in, and at one point even answers one of the bank’s phone calls from someone asking questions about her 401k–who he attempts to help. When the bank offers to credit his account, he denies the offer. It needs to come from the VA, and the events that he’s creating are the only way that they, and the rest of the world, will finally listen.

It’s exciting to see Boyega in this role, playing a real-life character from this world, and not a galaxy far, far away. Boyega’s baggy clothes, raspy voice, and simple speech convey a different side of his acting that we haven’t seen before, and extends his range greatly. The journey that Brian goes on is a  demanding one, requiring everything that Boyega’s got.

As the situation escalates, he talks with a news producer (Connie Britton) and eventually, the hostage negotiator (Michael K. Williams). A former veteran himself, his conversation with Brian creates a connection between them, and a bond forms. He sees Brian’s plight, and his safety becomes his own concern as well. In his final film role, Williams commands the screen every time we see him. His presence alone gives unparalleled gravitas to this, as well as every film he’s been on. And while he will sorely be missed, this is a worthy final performance to remember the late actor by.

Corbin balances the rising suspense of the hostage standoff along with the more intimate scenes of Brian and his tight circle of confidantes. Scenes with Rosa and Estel make us empathize with him more and more. As the suspense grows–from a quiet sunny day to, at its highest point, a barrage of helicopters, tanks, pop-up command centers, and reporters–Breaking also keeps Brian and his mission front and center. When we finally learn how much money he was denied and that he’s asking for now, it stops the movie in its tracks with impact. Considering the dangerous situation he’s put himself in (and how he knows he may not make it out alive), you realize that it’s not the amount of money he’s asking for that he’s truly after, but simply raising awareness of the injustice that he, and many others, have been denied.

Without giving away the ending, Brian would likely be pleased to know that his story is now being told, and shared with the world. I hadn’t heard this story before seeing this film, but now that I have, I’m saddened to think about the desperation that some people are met with, and the lengths they’ll go to to make amends. Brian Brown-Easley shined a light on a deep problem in our country, and Breaking furthers that story. It’s an issue that needs to be corrected at the federal level in order to ensure that those who serve our country need to be served back.

This review originally ran on January 25, 2022 during the Sundance Film Festival.