Filmmaker Andrew Adams‘ riotous ‘coming-of-rage’ story about a millennial woman trying to make it in America is the indie movie of the moment. A funny yet topical take on the desperation some people revert to when they feel they’ve been slighted by the system, American Meltdown is a fun joyride into homegrown anarchy.

A Millenial Coming-of-Rage Story

Olivia Walker (Jacki Von Preysing) has a career as an interior designer, or at least she did, up until an hour ago when she was fired by her company. Instead of hiring her after the standard 90-day probation period, the company she worked for cites labor union rules as the reason they need to temporarily let her go. Exploiting a loophole in the policy, they mention that they can’t afford to provide her benefits as a full-time employee, so she’ll have to find work elsewhere. This news shakes Olivia to her core, as she’s already struggling to pay rent. That night, Olivia returns home to find her house has been broken into and valuables have been stolen. Out of a job, broke, and afraid to sleep in her own bed, Olivia admits her defeat to the universe.

Upon hitting her rock bottom, Olivia wanders to the beach to decompress. Here she meets Mari (Nicolette Sweeney), a spirited pickpocket who opens Olivia’s eyes to an alternative way of life. Mari describes herself as “self-employed”. Her line of “work” consists of committing petty crimes and stealing from the rich. She claims it’s the only way to survive in America. At first, Olivia is horrified but soon begins to see this injustice from Mari’s perspective. It’s not long before Olivia invites Mari to stay with her at her house, and the two women begin to fall deep into a life of crime.

A Middle Finger to the Man

In American Meltdown, writer/director Andrew Adams crafts a heartfelt and introspective conversation about the state of the millennial struggle today. Using humor, this dramedy also acts as a cathartic big middle finger to “the man”. The performances by Jacki Von Preysing and Nicolette Sweeney are so in sync as partners in crime; they act like raccoons in human form, scavenging and cheating the system to hilarious results. The score is another standout element. Composer Jason Martin Castillo infuses jazzy elements underneath pivot scenes to highlight the stress and anxiety of Olivia’s growing out-of-control situation.

Takeaway

American Meltdown is the definition of a true independent film. This micro indie was self-funded by Adams for roughly $70,000, paid for by savings, loans, and debt. His passion and dedication in bringing this story to life gives the film a humanistic quality. With Adams’ thumbprint all over the screen, the result is an authentically funny and creatively apt feature film.