Review: ‘America The Beautiful 3’

The third installment of the acclaimed America the Beautiful film series explores our nation's controversial and shameless sexualization of our youth.

Review: ‘Rudderless’

William H. Macy’s directorial debut balances original music and personal storytelling just right.

Review: ‘The Disappearance of Eleanor Rigby: Her/Him’

Ned Benson's debut feature, or rather, features, stars Jessica Chastain and James McAvoy as a grieving couple.

Whiplash

The Sundance Grand Jury Prize winner is one of the most fearless and confidently made sophomore films, and one of the year's best.

Review: ‘You’re Not You’

Hilary Swank reconfirms her place amongst Academy Award-winning actors with her portrayal of a classical pianist turned ALS victim in this emotional indie film.

Review: ‘Lilting’

Like its delicate name, Cambodian director Hong Khaou's debut feature is a tender understanding of the relationships shared by different cultures.

Review: ‘For Those In Peril’

This surreal, slow-burning drama focuses on a small community in Scotland and their struggle to cope with tragedy.

Review: ‘Sewing Hope’

Narrated by Forest Whitaker, the film centers around the girls affected by Joseph Kony and how Sister Rosemary gave these girls a second chance at life with just a sewing machine.

Review: ‘Two Night Stand’

A charming, non-offending comedy from fresh young faces and a first-time feature film director.

Review: ‘Fort Bliss’

This isn’t a movie about war- rather, it’s about life after war. Specifically, about one woman’s struggle to reintegrate herself into her son’s life after returning home from overseas.

Review: ‘Keep On Keepin’ On’

As one of America's most amorphous and celebrated genres of music, Clark Terry brings a whole new level of appreciation to the art of Jazz.

Review: ‘The Disappearance of Eleanor Rigby: Them’

This re-cut theatrical version offers a more conventional drama, yet sacrifices its unique higher concept.

Review: ‘My Old Lady’

A light-hearted stage-play adaptation that takes on a dramatic twist, and offers great performances from its three central leads.

Review: ‘The Longest Week’

Jason Bateman’s role-reversal is mild and manageable fare in this easily digestible comedy.

Review: ‘God Help The Girl’

A light-hearted and warmly crafted indie musical from Belle & Sebastian frontman Stuart Murdoch.

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