Review: ‘Anomalisa’

Charlie Kaufman’s poignantly introspective stop-motion film, 'Anomalisa', is one of the year’s best.

Review: ‘Where To Invade Next’

Michael Moore’s latest urges Americans to look at other countries as models for how to improve our current system.

Review: ‘Dolly Parton’s Coat of Many Colors’

This faith-based biopic, centered around Dolly Parton's autobiographical song, is a heartwarming watch just in time for the holidays.

Review: ‘Stinking Heaven’

Shot on a Betacam, director Nathan Silver presents a gritty and raw slice-of-life drama about ex-addicts facing the challenges of sober living.

Review: ‘The Big Short’

The Big Short is a raucous look at the real-life financial meltdown of 2008.

Review: ‘Don Verdean’

This biblical satire could rival 'Napoleon Dynamite' as perhaps the Hess’ best film if only it had any laughs to make it timeless.

Review: ‘Christmas, Again’

Rising indie star Kentucker Audley finds himself working the night shift of a makeshift Christmas tree lot in New York City in the drama 'Christmas, Again'.

Review: ‘Uncle Nick’

Boozy and brash, 'Uncle Nick' is too jerky and un-jolly to have any real fun with.

Review: ‘The Letters’

A fair, melodramatic biopic that underwhelms when compared to Mother Teresa's 50-year epic journey of her life's work.

Review: ‘Can You Dig This’

Gardening is a radical statement far against the status quo of what’s expected in these impoverished communities, where access to healthy food is basically non-existent.

Review: ‘Kingdom of Shadows’

Evilness comes in the form of Mexican drug cartels in this documentary, unfortunately an issue that is becoming all too common.

Review: ‘Peggy Guggenheim: Art Addict’

This documentary will leave viewers with a sense of wanderlust and admiration for a woman who helped define the art world as we know it.

Charlie Kaufman, Jennifer Jason Leigh on ‘Anomalisa’

"They make it live, that's what actors do if they're good and these were wonderful actors." -Charlie Kaufman

AFI Fest Review: ‘James White’

A devastatingly well acted drama about end of life and self-destruction, featuring a breakout performance from Christopher Abbott.

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