An impressive coming-of-age story from a new voice in Black cinema.

Sarah Polley's 'Women Talking' is an unapologetic statement of radical awakening where women feel seen and men are forced to listen.

Brendan Fraser stars as a recluse battling obesity in Darren Aronofsky's 'The Whale,' a powerfully affecting tale for our times.

Director Meg Smaker's documentary 'The UnRedacted' (formerly titled 'Jihad Rehab') is the most important movie that you can't currently see.

Tenderly told with striking visuals and a ruminating score, EO deserves a top spot in the modern arthouse canon

This tenderly told documentary offers audiences old fashioned, feel good optimism.

Mark Mylod's satirical horror puts a clever spin on the "eat the rich" anecdote that, while mesmerizing to look at, leaves us hungry for more.

Alejandro Loayza Grisi's remarkably powerful debut feature is a beautifully crafted film that radiates with sincerity.

Based on the 2017 oral history book of interviews by Lizzy Goodman, this rock doc uses never-before-seen footage of The Strokes, Yeah Yeah Yeahs, and LCD Soundsystem to evoke nostalgia and chills.

There is a heartbreaking recognition that Charlotte Wells' directorial debut confronts us with: even the best moments of our lives are temporary.

"If the camera is predatory, the culture is predatory as well."

Exposing one of the great untold secrets in American history.

The tonal bait and switch from dark comedy to introspective, sensitive drama is what makes The Banshees of Inisherin among the year's best.

Directors Saela Davis and Anna Rose Holmer's second feature film (following 2015's 'The Fits') is a quiet but commanding family drama starring Emily Watson and Paul Mescal.

Andrea Riseborough shines in this underdog story about survival.