Bradley Cooper's stunning sophomore film is the best in performance, direction, and craft.

In 'Saltburn', writer/director Emerald Fennell crafts a slightly edgy film about loud luxury that skews favorably toward Gen Z.

Through the captivating dance and photography of 'Aligned' we are offered a gentle reminder that self-acceptance is a journey.

David Fincher and Michael Fassbender are a match made in hitman heaven in Netflix's 'The Killer,' a black comedy about a hit gone wrong.

If you look closely, you'll see writer/director Andrew Haigh hidden in plain sight in the melancholic romantic drama, 'All of Us Strangers.'

In Lead and Copper, filmmaker William Hart investigates why Flint officials made the deadly water supply switch in the first place.

Distributed by A24, director Kristoffer Borgli's 'Dream Scenario' is visually stunning, completely original, and most excitingly: weird.

Alden Ehrenreich's work with top-tier filmmakers effortlessly translates onto the screen in his directorial debut, 'Shadow Brother Sunday.'

Jessie Buckley, Riz Ahmed, and Jeremy Allen White star in 'Fingernails,' a rom-com where couples can test to see if they're really in love.

The magic of 'Four Daughters' lies in its ability to incorporate performance art within a documentary without feeling inauthentic.

In 'Alone Together,' co-writer/director Will Kresch set out to make a film that felt unforgiving–and it's safe to say he succeeded.

Rodrigo Moreno's 'The Delinquents' begins as a bank heist comedy before becoming an existential reflection of how we live our humdrum lives.

The seafloor is home to life forms that have existed since the beginning of time, why do we feel it is our right to steal their resources?

Don’t let its nearly three-hour runtime intimidate you; 'Anatomy of a Fall' soars by with brevity and “Shakespearean meets Sorkin” dialogue.

At the expense of sounding corny, 'The Holdovers' is a film that truly warms the heart and soul, with Paul Giamatti in top-tier form.