Review: ‘The Disappearance of Eleanor Rigby: Them’
This re-cut theatrical version offers a more conventional drama, yet sacrifices its unique higher concept.
Review: ‘My Old Lady’
A light-hearted stage-play adaptation that takes on a dramatic twist, and offers great performances from its three central leads.
Review: ‘The Longest Week’
Jason Bateman’s role-reversal is mild and manageable fare in this easily digestible comedy.
Review: ‘God Help The Girl’
A light-hearted and warmly crafted indie musical from Belle & Sebastian frontman Stuart Murdoch.
Review: ‘To Be Takei’
A broadly woven documentary that nonetheless shines a light on its cult-star subject's persecuted yet ultimately fascinating life.
Review: ‘The Notebook’ (‘Le Grand Cahier’)
There is no saving grace to this disturbing World War II-set Hungarian film.
Review: ‘Love Is Strange’
Its misleading title suggests that things would play strangely; the affect, however, is a strangely normal new-age love story in Queer cinema.
Review: ‘The One I Love’
A hauntingly surreal indie that places its well-paired stars on a therapeutic couples retreat, who soon enough discover that nothing is as it seems.
