Review: ‘The Disappearance of Eleanor Rigby: Them’

This re-cut theatrical version offers a more conventional drama, yet sacrifices its unique higher concept.

Review: ‘My Old Lady’

A light-hearted stage-play adaptation that takes on a dramatic twist, and offers great performances from its three central leads.

Review: ‘The Longest Week’

Jason Bateman’s role-reversal is mild and manageable fare in this easily digestible comedy.

Review: ‘God Help The Girl’

A light-hearted and warmly crafted indie musical from Belle & Sebastian frontman Stuart Murdoch.

Review: ‘To Be Takei’

A broadly woven documentary that nonetheless shines a light on its cult-star subject's persecuted yet ultimately fascinating life.

Review: ‘The Notebook’ (‘Le Grand Cahier’)

There is no saving grace to this disturbing World War II-set Hungarian film.

Review: ‘Love Is Strange’

Its misleading title suggests that things would play strangely; the affect, however, is a strangely normal new-age love story in Queer cinema.

Review: ‘The One I Love’

A hauntingly surreal indie that places its well-paired stars on a therapeutic couples retreat, who soon enough discover that nothing is as it seems.