Review: ‘A Girl Walks Home Alone At Night’
Cinema's first ever Iranian Vampire Western brings artful and moody high-style horror to the town of Bad City.
Review: ‘Lost Songs: The Basement Tapes Continued’
T Bone Burnett assembles today's top folk-rock musicians to bring Bob Dylan's never-before released lyrics to new musical life.
Review: ‘Punch-Drunk Love’
There’s a common feeling when you start watching a movie on Netflix. As the movie begins, you’re still adjusting the position where you’re sitting, the volume, the brightness. It’s usually a little harder than a movie theater to dive right into a movie. In my own case, when I first watched Punch-Drunk Love on Netflix, I was still just getting into the movie when less than 5 minutes in, a random, chaotic event immediately sucks in your attention. The moment might feel like a gimmick, but from that point forward, you’re going to be engulfed in the movie. READ MORE...
Review: ‘Still Alice’
While Julianne Moore shines in a role with range, the film itself does nothing to go beyond the performance.
Review: ‘Red Army’
This documentary is as riveting and entertaining as the intense Soviet hockey games that it depicts, thanks to great interview subjects and a story worth hearing.
Review: ‘A Most Violent Year’
*Screening at the 2014 AFI Film Festival, J.C. Chandor's third feature is a slow-burning yet tense crime drama, starring Oscar Isaac and Jessica Chastain.
Review: ‘Foxcatcher’
Director Bennett Miller leads a fearless cast into new and demanding territory in this modern-day American tragedy.
Review: ‘The Midnight Swim’
*Screening at the 2014 AFI Film Festival, a mysterious death tests the relationship between three half-sisters in this eerie, genre-blending feature film debut.
