Review: ‘Edge of Tomorrow’

Expectations (and so-so box office returns) could not be more misleading for this spectacular action movie, far better than marketing or even the premise would suggest.

Review: ‘Boyhood’

A feat in modern filmmaking, Linklater pulls off a sweeping twelve year-long cinematic experience unlike any other.

Review: ‘Stories We Tell’

Stories We Tell is a documentary revolving around the family of Canadian director Sarah Polley, who, as we learn over the film’s runtime, had quite the tumultuous past. Through a series of interviews and archive footage, she weaves together an intimate story in which everyone involved tells their version of her family’s story. The central focus here is Polley’s late mother, whose wild ways would leave an impact on everyone she encountered, but none more than the director herself. READ MORE...

Review: ‘Venus In Fur’

Polanski adapts his third stage play for the big screen, this time featuring just two actors and a single location.

Review: ‘Life Itself’

The life and times of legendary film journalist Roger Ebert is beautifully captured in Life Itself, giving audiences everywhere a chance to say one final farewell.

Review: ‘Under the Electric Sky’

The documentary of Electric Daisy Carnival focuses on the many types of ravers who go to the festival to see DJ acts like AVICII.

Review: ‘Violette’

For those interested history, the roots of feminism, or who just want to enjoy an expertly crafted film, Violette is not to be missed.

Review: ‘Begin Again’

Begin Again largely avoids most music film cliches, and music purists will love everything about the way Knightley's career and album comes of age through the film.