‘Hacksaw Ridge’ Review: In Beautiful Yet Brutal a Pacifist Goes to War
Gibson's depiction of this hell-on-Earth is more persuasive sermonizing than any petty, politicized paranoia drama.
‘Loving’ Review: The Quiet Hurt in the Price of Loving
'Loving,' in theaters today, is devoid of all types of fantastical conventions and cliches, standing as nearly a polar opposite and one of the year's most affecting love stories.
‘Trash Fire’ Review: This Off-Kilter Horror Film is an Acquired Taste
If this review can be summed up in a single image, look no further that the above picture. Grenier and Trimbur's faces say it all.
‘The Handmaiden’ Is a Web of Lies, Deceit, and Sexual Tension
If you were not familiar with Park Chan-wook's impressive filmography before 'The Handmaiden', then you are in for a mind-blowing experience.
‘Little Sister’ Review: Familial Conflict Gets Darkly Comedic
'Little Sister' uses eccentricity to gracefully remind us that no one understands you quite like family.
‘In a Valley of Violence’ Review: An Old-School Western with Fresh, Distinct Attitude
Tarantino better watch his back, there's a new sheriff in town.
‘Moonlight’ Review: This Light Shines On New Voices in American Cinema
Operatic in its scope, yet gentle in its expression, 'Moonlight' is director Barry Jenkins’ butterfly.
