Max Nichols on ‘Two Night Stand’
"I think coming off this movie in particular, I have learned to be very, very careful should I ever encounter the word "snow" or "ping-pong" in a script again."
Mark Duplass and Elisabeth Moss on ‘The One I Love’
"[My character] is like any girl in a relationship trying to figure out whether or not she should stay or go... we have all been there at some point and I really identified with that." -Elisabeth Moss
Director Charlie McDowell and Writer Justin Lader on ‘The One I Love’
"People say, ‘Oh that’s such an ‘indie film’,’ and that terrified me. I didn’t want to make a generic 'indie' film, I wanted it to feel like something bigger." -Charlie McDowell
Director Michael Rossato-Bennett & Dan Cohen on ‘Alive Inside’
"But what I learned, and music was the teacher…is that there's a life inside each of those people. There's a movie that plays inside each of their heads that will disappear when they go." -Michael Rossato-Bennett
Colin Firth & The Cast on ‘Magic In The Moonlight’
"And it had occurred to me that the last line of the last word I uttered on that entire shoot was: 'sodomy.'"
Composer Nathan Whitehead of ‘The Purge: Anarchy’
"We talked a lot about the madness of the night. That was something I kept in mind a lot, how could this music speak to all the madness that erupts on Purge night."
Director Dave Green talks ‘Earth to Echo’
"And we were on the way to eat some sandwiches, and we got a call, like, ten minutes after the pitch. And the producer called us into his office, and we sat down, and he's like, "So, they said 'yes'."
Director Ryan McGarry of ‘Code Black’
"For a typical emergency department, one of these patients over one shift would be a big deal. Here, you’d have six of them pretty much every hour. Right off the bat I was visually overtaken by it all."